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French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style
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Cited by

  • 2007The Puccini Problem: Opera, Nationalism, and Modernity30 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2007Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912)27 cited
  • 1999Victor Capoul, Marguerite Olagnier's "Le Saïs", and the Arousing of Female Desire25 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 2003Wagner vs. Meyerbeer7 cited
  • 2015The Operas of Maurice Ravel7 cited
  • 2001Fervaal, Parsifal, and French National Identity5 cited
  • 2013Memorialisation, Commemoration and Commodification: Massenet and Caricature5 cited
  • 2021Reverie, Schmaltz, and the Modernist Imagination4 cited
  • 2015Decentralising via Russia: Glinka’sA Life for the Tsarin Nice, 18904 cited
  • 2001Opera and music drama4 cited
  • 2019Church, State and an Operatic Outlaw: Jules Massenet'sHérodiade3 cited
  • 2014Nietzsche, Debussy, And The Shadow Of Wagner3 cited
  • 2014Paul Taffanel and the Construction of the French Flute School

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3 cited