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Fuzzy Extensions to the Theory of Contour
4 references·16 citing·37 second hop
Fuzzy Extensions to the Theory of Contour (1997)Fuzzy Extensions to the Theory of ContourFuzzy sets (1996)Fuzzy setsNew Directions in the Theory and Analysis of Musical Contour (1993)New Directions in the Theory …Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Transpositional Combination o…The Structure of Atonal Music (1974)The Structure of Atonal MusicFuzzy Family Ties (2022)Fuzzy Family TiesOnset and Contiguity (2021)Onset and ContiguityPerforming Knowledge (2020)Performing KnowledgeAn Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches (2019)An Extension of the Minimally…Normalizing Musical Contour Theory (2016)Normalizing Musical Contour T…Contour Recursion and Auto-Segmentation (2016)Contour Recursion and Auto-Se…A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network (2013)A New Similarity Measurement …Sonorystyka w twórczości kompozytorów polskich XX wieku (2010)Sonorystyka w twórczości komp…Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)Analysis of Emergent Beat-Cla…Representations of motivic spaces of a score in OpenMusic (2008)Representations of motivic sp…Motivic analysis according to Rudolph Réti: formalization by a topological model (2008)Motivic analysis according to…Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Minimal Challenges: Process M…Melodic Clustering Within Topological Spaces of Schumann's Trôumerei (2006)Melodic Clustering Within Top…AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE (2005)AUTOMATIC MOTIVIC ANALYSIS IN…Scale and Mode in the Music of the Early Tamils of South India (2000)Scale and Mode in the Music o…From Contour Similarity to Motivic Topologies (2000)From Contour Similarity to Mo…The Thematic Process in Music (1951)The Structure of Atonal Music (1973)The Structure of Atonal Music (1974)Can computational music analysis be both musical and computational? (2010)Cognitive constraints on compositional systems (1992)How We Got Out of Analysis, and How to Get Back In Again (2004)Music—Drastic or Gnostic? (2004)Extraordinary Measures (2011)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)A Guide to Musical Analysis (1988)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)The classical style: Haydn, Mozart, Beethoven (1997)Acoustic Theory of Speech Production (1971)Computation and Cognition (1984)On computation and cognition: Toward a foundation of cognitive science (1989)The New Grove dictionary of music and musicians (2001)Generalized Voice-Leading Spaces (2008)An Approach to Musical Rhythm in Agbadza (2019)Layers and Elasticity in the Rhythm of Noh Songs (2019)Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities (2020)Outline of a Theory of Practice (1977)The reflective practitioner: How professionals think in action (1984)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Brahmsian Articulation (2021)Rebonds: Structural Affordances, Negotiation, and Creation (2021)Teaching Music Performance in Higher Education (2024)Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas (2012)Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)Beat-Class Modulation in Steve Reich's Music (2003)(Ac)cumulative Form in Pop-Rock Music (2004)Banjo Transformations and Bluegrass Rhythm (2009)Extensions of the TOPSIS for group decision-making under fuzzy environment (2000)An approach for detecting, quantifying, and visualizing the evolution of a research field: A practical application to the Fuzzy Sets Theory field (2010)Science mapping software tools: Review, analysis, and cooperative study among tools (2011)Atonal prolongational structure (1989)Music theory and mathematics (2002)Music and cognitive evolution (2012)
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References

  • 1996Fuzzy sets46,880 cited
  • 1974The Structure of Atonal Music161 cited
  • 1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music146 cited
  • 1993New Directions in the Theory and Analysis of Musical Contour106 cited

Cited by

  • 2006Minimal Challenges: Process Music and the Uses of Formalist Analysis44 cited
  • 2009Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline39 cited
  • 2000From Contour Similarity to Motivic Topologies24 cited
  • 2008Motivic analysis according to Rudolph Réti: formalization by a topological model15 cited
  • 2010Sonorystyka w twórczości kompozytorów polskich XX wieku12 cited
  • 2020Performing Knowledge11 cited
  • 2000Scale and Mode in the Music of the Early Tamils of South India8 cited
  • 2016Normalizing Musical Contour Theory6 cited
  • 2016Contour Recursion and Auto-Segmentation6 cited
  • 2008Representations of motivic spaces of a score in OpenMusic6 cited
  • 2022Fuzzy Family Ties5 cited
  • 2019An Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches

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5 cited
  • 2006Melodic Clustering Within Topological Spaces of Schumann's Trôumerei5 cited
  • 2005AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE5 cited
  • 2013A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network4 cited
  • 2021Onset and Contiguity3 cited