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The Problem of Prolongation in Post-Tonal Music
0 references·16 citing·46 second hop
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Cited by

  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 1989Atonal prolongational structure113 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 1998Voice-Leading Spaces63 cited
  • 2017Tonality as Topic37 cited
  • 1997Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress"36 cited
  • 1994Schoenberg on Ornamentation and Structural Levels35 cited
  • 1988New Approaches to the Linear Analysis of Music31 cited
  • 1997The ♯IV(♭V) Hypothesis: Testing the Limits of Schenker's Theory of Tonality29 cited
  • 2002Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music24 cited
  • 1989Stravinsky's "Mass" and Stravinsky Analysis24 cited
  • 2014Harmony and Voice Leading in the Music of Stravinsky22 cited
  • 1999Concepts of Harmony and Prolongation in Schoenberg's Op. 19/221 cited
  • 2001On the Nature of Enlargement18 cited
  • 2006The Cadenza as Parenthesis17 cited

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1995
Harmonic and Formal Processes in Ligeti's Net-Structure Compositions
17 cited