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‘Twisting herself into all shapes’: blackface minstrelsy and comic performance in Harriet Wilson’s Our Nig
16 references·0 citing·26 second hop
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this work references cited by second hop

References

  • 1993Playing in the Dark: Whiteness and the Literary Imagination.3,067 cited
  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2007Bodies in dissent: spectacular performances of race and freedom, 1850-1910624 cited
  • 1996Blackface, White Noise422 cited
  • 2001Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America371 cited
  • 1995Love and Theft: Blackface Minstrelsy and the American Working Class.284 cited
  • 2008Laughing fit to kill: black humor in the fictions of slavery257 cited
  • 2004Our Nig; or, Sketches from the Life of a Free Black231 cited
  • 1990Incidents in the Life of a Slave Girl, Written by Herself216 cited
  • 1990The Afro-American Novel and its Tradition.177 cited
  • 1989Incidents in the Life of a Slave Girl Written by Herself.166 cited
  • 1985Ethnic Humor: Subversion and Survival109 cited
  • 2003"He Made Us Laugh Some": Frederick Douglass's Humor54 cited
  • 2011The war on words: slavery, race, and free speech in American literature35 cited

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  • 1993Identifying Satire: Our Nig31 cited
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