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The effects of group free improvisation instruction on improvisation achievement and improvisation confidence
16 references·8 citing·33 second hop
The effects of group free improvisation instruction on improvisation achievement and improvisation confidence (2015)The effects of group free improvisation i…Informal music learning, improvisation and teacher education (2010)Informal music learning, impr…Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Can improvisation be ‘taught’…Free Jazz in the Classroom: An Ecological Approach to Music Education (2007)Free Jazz in the Classroom: A…Survey of Indiana Music Teachers on Using Composition in the Classroom (2006)Survey of Indiana Music Teach…Differences between Male and Female Students' Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation (2006)Differences between Male and …The Other side of nowhere: jazz, improvisation, and communities in dialogue (2004)The Other side of nowhere: ja…The New Handbook Of Research On Music Teaching And Learning (2004)The New Handbook Of Research …A Philosophy of Music Education: Advancing the Vision (2003)A Philosophy of Music Educati…Comparison of the National Standards for Music Education and Elementary Music Specialists' Use of Class Time (2002)Comparison of the National St…Songs in Their Heads: Music and Its Meaning in Children's Lives (2001)Songs in Their Heads: Music a…Classroom Teachers' and Music Specialists' Perceived Ability to Implement the National Standards for Music Education (1999)Classroom Teachers' and Music…The Creative cognition approach (1995)The Creative cognition approa…The Creative Cognition Approach (1995)The Creative Cognition Approa…Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Fennema-Sherman Mathematics Attitudes Scales: Instruments Designed to Measure Attitudes toward the Learning of Mathematics by Females and Males (1976)Fennema-Sherman Mathematics A…Brief Reports: Fennema-Sherman Mathematics Attitudes Scales: Instruments Designed to Measure Attitudes Toward the Learning of Mathematics by Females and Males (1976)Brief Reports: Fennema-Sherma…Encouraging creativity through music improvisation activities: Pre-service primary general teacher-students’ reflections and beliefs (2023)Encouraging creativity throug…Effects of improvisational behavior on entrepreneurial activities and firm performance: the moderating roles of firm size and business experience (2023)Effects of improvisational be…The Collaborative Pedagogies of Solo Improvisation (2022)The Collaborative Pedagogies …Learning to make noise: toward a process model of artistic practice within experimental music scenes (2022)Learning to make noise: towar…Improvisation (2022)ImprovisationTeaching creative music in El Sistema and after-school music contexts (2021)Teaching creative music in El…A quantitative analysis of two improvisation assessment instruments (2021)A quantitative analysis of tw…Conceptions of teaching in and through noise: a study of experimental musicians’ beliefs (2019)Conceptions of teaching in an…Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)The Art of Case Study Research (1996)The role of ecological constraints on expertise development (2010)At the boundary of school: Continuity and discontinuity in learning across contexts (2016)Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education (2017)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Creativity: Cognitive, personal, developmental, and social aspects. (2000)Cognition, creativity, and entrepreneurship (2003)9 Creativity in Organizations (2007)Math anxiety in elementary and secondary school students. (1988)An Exploration of the Mathematics Self-Efficacy/Mathematics Performance Correspondence (1989)“It's ok — Not everyone can be good at math”: Instructors with an entity theory comfort (and demotivate) students (2011)Cognition and the Body: Perspectives from Music Education (2004)Using musical agency as a lens: Researching music education from the angle of experience (2011)The role of arts participation in students’ academic and nonacademic outcomes: A longitudinal study of school, home, and community factors. (2013)Observable indicators of flow experience: a developmental perspective on musical engagement in young children from infancy to school age (2005)Group creativity: musical performance and collaboration (2006)Musical narratives: A study of a young child’s identity work in and through music-making (2010)Musical identities of professional jazz musicians: a focus group investigation (2005)Wellbeing and Integration through Community Music: The Role of Improvisation in a Music Group of Refugees, Asylum Seekers and Local Community Members (2019)Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice (2021)Gender Differences in Mathematics Self-Efficacy Beliefs (2004)Investigating Students’ Attitude towards Learning Mathematics (2018)Effects of a social regulation-based online learning framework on students’ learning achievements and behaviors in mathematics (2020)The Theory of Successful Intelligence (1999)Aha! Insight experience correlates with solution activation in the right hemisphere (2003)Paradoxical frames and creative sparks: Enhancing individual creativity through conflict and integration (2011)Problems in comparative research: The example of omnivorousness (2005)Development and Adaptation of Expertise: The Role of Self-Regulatory Processes and Beliefs (2006)Self-efficacy and music performance (2006)
this work references cited by second hop

References

  • 1995The Creative Cognition Approach912 cited
  • 1976Brief Reports: Fennema-Sherman Mathematics Attitudes Scales: Instruments Designed to Measure Attitudes Toward the Learning of Mathematics by Females and Males772 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 1995The Creative cognition approach595 cited
  • 2004The New Handbook Of Research On Music Teaching And Learning554 cited
  • 1976Fennema-Sherman Mathematics Attitudes Scales: Instruments Designed to Measure Attitudes toward the Learning of Mathematics by Females and Males494 cited
  • 2003A Philosophy of Music Education: Advancing the Vision409 cited
  • 2001Songs in Their Heads: Music and Its Meaning in Children's Lives334 cited
  • 2004The Other side of nowhere: jazz, improvisation, and communities in dialogue218 cited
  • 2010Informal music learning, improvisation and teacher education165 cited
  • 2009Can improvisation be ‘taught’?: A call for free improvisation in our schools150 cited
  • 1999Classroom Teachers' and Music Specialists' Perceived Ability to Implement the National Standards for Music Education122 cited
  • 2006Differences between Male and Female Students' Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation98 cited
  • 2007Free Jazz in the Classroom: An Ecological Approach to Music Education

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86 cited
  • 2002Comparison of the National Standards for Music Education and Elementary Music Specialists' Use of Class Time86 cited
  • 2006Survey of Indiana Music Teachers on Using Composition in the Classroom77 cited
  • Cited by

    • 2021Teaching creative music in El Sistema and after-school music contexts30 cited
    • 2023Effects of improvisational behavior on entrepreneurial activities and firm performance: the moderating roles of firm size and business experience24 cited
    • 2019Conceptions of teaching in and through noise: a study of experimental musicians’ beliefs13 cited
    • 2022Learning to make noise: toward a process model of artistic practice within experimental music scenes9 cited
    • 2023Encouraging creativity through music improvisation activities: Pre-service primary general teacher-students’ reflections and beliefs9 cited
    • 2021A quantitative analysis of two improvisation assessment instruments4 cited
    • 2022The Collaborative Pedagogies of Solo Improvisation4 cited
    • 2022Improvisation4 cited