SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Decoding Essentialism: Cultural Authenticity and the Black Bourgeoisie in Nella Larsen's Passing
13 references·0 citing·30 second hop
Decoding Essentialism: Cultural Authenticity and the Black Bourgeoisie in Nella Larsen's Passing (2005)Decoding Essentialism: Cultural Authentic…Souls of Black Folk (2015)Souls of Black FolkQueering Black Patriarchy: The Salvific Wish and Masculine Possibility in Alice Walker's The Color Purple (2002)Queering Black Patriarchy: Th…Authentic blackness: the folk in the new Negro renaissance (2000)Authentic blackness: the folk…Private Affairs: Critical Ventures in the Culture of Social Relations (1999)Private Affairs: Critical Ven…Scenes of subjection: terror, slavery, and self-making in nineteenth-century America (1998)Scenes of subjection: terror,…The Harlem Renaissance in Black and White (1997)The Harlem Renaissance in Bla…Neither Black Nor White Yet Both (1997)Neither Black Nor White Yet B…White by law: the legal construction of race (1996)White by law: the legal const…Terrible Honesty: Mongrel Manhattan in the 1920s (1996)Terrible Honesty: Mongrel Man…It Takes One to Know One: Passing and Communities of Common Interest (1994)It Takes One to Know One: Pas…Who Is Black? One Nation's Definition. (1993)Who Is Black? One Nation's De…When Harlem was in Vogue (1981)When Harlem was in VogueThe New Negro (1925)The New NegroCritical Race Theory and Education: History, Theory, and Implications (1997)The Invention of the Passport (1999)The Sociopolitical Turn in Mathematics Education (2013)That Event, This Memory: Notes on the Anthropology of African Diasporas in the New World (1991)Visible Identities: Race, Gender, and the Self (2006)The Relevance of Credibility Excess in a Proportional View of Epistemic Injustice: Differential Epistemic Authority and the Social Imaginary (2010)The Talking Book and the Talking Book Historian: African American Cultures of Print—The State of the Discipline (2010)The Cambridge History of the American Novel (2011)“Two souls, two thoughts,” two self-schemas: Double consciousness can have positive academic consequences for African Americans. (2015)Cultural divides: understanding and overcoming group conflict (2000)Elementary strategies of ethnic boundary making (2008)The multiple dimensions of race (2016)The Autobiography of an Ex-Coloured Man (1996)The Paradoxes of Race, Class, Identity, and “Passing”: Enforcing the Chinese Exclusion Acts, 1882–1910 (2000)Theorising the “suspect community”: counterterrorism, security practices and the public imagination (2013)Noah's Curse (2002)Socially Embedded Identities: Theories, Typologies, and Processes of Racial Identity among Black/White Biracials (2002)Crossroads in the Black Aegean (2007)The Gentrification of Harlem? (1986)Creative lives, creative tensions (1992)Root shock: the consequences of African American dispossession (2001)Reputational Entrepreneurs and the Memory of Incompetence: Melting Supporters, Partisan Warriors, and Images of President Harding (1996)Are Ghettos Good or Bad? (1997)Modernism and the Ordinary (2009)Gramsci's Black Marx: Whither the Slave in Civil Society? (2003)Demonic Grounds: Black Women And The Cartographies Of Struggle (2006)The Promise of Empathy (2019)The relationship between racial identity and self-esteem in African American college and high school students. (1998)Analytic Autoethnography, or Déjà Vu all Over Again (2006)Breakin’ Down Whiteness in Antiracist Teaching: Introducing Critical Whiteness Pedagogy (2015)
this work references cited by second hop

References

  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 1996White by law: the legal construction of race1,320 cited
  • 1993Who Is Black? One Nation's Definition.597 cited
  • 2015Souls of Black Folk547 cited
  • 1997Neither Black Nor White Yet Both464 cited
  • 1996Terrible Honesty: Mongrel Manhattan in the 1920s451 cited
  • 1925The New Negro330 cited
  • 1994It Takes One to Know One: Passing and Communities of Common Interest303 cited
  • 1981When Harlem was in Vogue281 cited
  • 1997The Harlem Renaissance in Black and White228 cited
  • 1999Private Affairs: Critical Ventures in the Culture of Social Relations139 cited
  • 2000Authentic blackness: the folk in the new Negro renaissance129 cited
  • 2002Queering Black Patriarchy: The Salvific Wish and Masculine Possibility in Alice Walker's The Color Purple19 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work