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Voices in the Dark: The Narrative Patterns of "Film Noir"
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Voices in the Dark: The Narrative Patterns of "Film Noir" (1990)Voices in the Dark: The Narrative Pattern…Subjectivity: filmic representation and the spectator's experience (2012)Subjectivity: filmic represen…Transfigurations : Violence, Death and Masculinity in American Cinema (2008)Transfigurations : Violence, …PERSONALITY DISORDER AND THE FILM NOIR FEMME FATALE * by (2008)PERSONALITY DISORDER AND THE …Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir (2007)Projecting Trauma: The Femme …Boxing, Masculinity and Identity: The 'I' of the Tiger : (Edition 1) (2006)Boxing, Masculinity and Ident…The street was mine: white masculinity in hardboiled fiction and film noir (2003)The street was mine: white ma…The sound of meaning: theories of voice in twentieth-century thought and performance (2002)The sound of meaning: theorie…American Film Noir: The History of an Idea (1995)American Film Noir: The Histo…The Big Secret: Film Noir and Nuclear Fear (1994)The Big Secret: Film Noir and…Hollywood on Trials: Courts and Films, 1930–1960 (1994)Hollywood on Trials: Courts a…Powers of Horror: An Essay on Abjection (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)“It's About Belonging”: Masculinity, Collectivity, and Community in British Hooligan Films (2011)Why the “Haves” Come Out Ahead: Speculations on the Limits of Legal Change (1974)The Differend: Phrases in Dispute (1983)The Evidence of Experience (1991)The female offender. (1895)Mourning and Melancholia (1922)After the Great Divide: Modernism, Mass Culture, Postmodernism (1987)The Sociology of Georg Simmel (1950)The Sociology of Georg Simmel. (1950)Novel and The Police (1988)Visual codes of secrecy : photography of death and projective identification (2005)Postmodernism, or, The cultural logic of late capitalism (1991)Mists of Regret (1995)The Classical Hollywood Cinema (2003)Horror to the Extreme: Changing Boundaries in Asian Cinema (2009)Blacker than Noir: The Making and Unmaking of Richard Wright’s ‘Ugly’ Native Son (1951) (2012)"This Piece of Parchment Will Shake the World": The Mystery of Mar Saba and the Evangelical Prototype of a Secular Fiction Genre (2020)Pornography and Sexual Callousness, and the Trivialization of Rape (1982)Pathways from Childhood to Adult Life* (1989)The nurture assumption (1998)Understanding Media: The Extensions of Man (1964)How To Do Things With Words (1975)The Postmodern Condition: A Report on Knowledge (1984)Outline of a Theory of Practice (1977)An Invitation of Reflexive Sociology (1993)Legacies of 2012: putting women's boxing into discourse (2013)‘I don’t think they realise how good we are’: Innovation, inclusion and exclusion in women’s Olympic boxing (2017)The gendering of coaching from an athlete perspective: The case of Norwegian boxing (2017)The Presentation of Self in Everyday Life (2023)2. The Interpretation of Dreams (1913)Simulacra and Simulation (1995)Camera Lucida: Reflections on Photography (2001)Epistemology of the Closet (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Racial Formation in the United States: From the 1960s to the 1990s (1994)“Nobody Loves a Fat Man” (2013)Framing the neo-noir in contemporary Tamil Cinema: Masculinity and modernity in Tamil Nadu (2017)
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Cited by

  • 1995American Film Noir: The History of an Idea65 cited
  • 2006Boxing, Masculinity and Identity: The 'I' of the Tiger : (Edition 1)52 cited
  • 2003The street was mine: white masculinity in hardboiled fiction and film noir47 cited
  • 2008Transfigurations : Violence, Death and Masculinity in American Cinema40 cited
  • 2007Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir18 cited
  • 1994The Big Secret: Film Noir and Nuclear Fear17 cited
  • 1994Hollywood on Trials: Courts and Films, 1930–196014 cited
  • 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited
  • 2008PERSONALITY DISORDER AND THE FILM NOIR FEMME FATALE * by6 cited
  • 2012Subjectivity: filmic representation and the spectator's experience6 cited

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