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The production of success: an anti-musicology of the pop song
3 references·16 citing·52 second hop
The production of success: an anti-musicology of the pop song (1983)The production of success: an anti-musico…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Systeme De La Mode (1967)Systeme De La ModeOn Popular Music (1941)On Popular MusicMusic, Mediation Theories and Actor-Network Theory (2018)Music, Mediation Theories and…Genre Complexes in Popular Music (2016)Genre Complexes in Popular Mu…Mandopop under siege: culturally bound criticisms of Taiwan’s pop music (2009)Mandopop under siege: cultura…Pragmatics of Taste (2007)Pragmatics of TastePopular music analysis: ten apothegms and four instances (2003)Popular music analysis: ten a…Marxist music analysis without Adorno: popular music and urban geography (2003)Marxist music analysis withou…From lyric to anti-lyric: analyzing the words in pop song (2003)From lyric to anti-lyric: ana…Analyzing Popular Music (2003)Analyzing Popular MusicWhat is a “cantautore?” Distinction and authorship in Italian (popular) music (2002)What is a “cantautore?” Disti…Programming philosophies and the rationalization of music radio (2001)Programming philosophies and …The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)The US Recorded Music Industr…THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE (1999)THE MUSIC BUSINESS AND RAP: B…The cultural economy: geography and the creative field (1999)The cultural economy: geograp…Interpreting world music: a challenge in theory and practice (1997)Interpreting world music: a c…Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music (1995)Where the Mystical Meets the …Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry (1990)Commercialising the sound of …Studies in Ethnomethodology (1968)How To Do Things With Words (1975)Music in Everyday Life (2000)Those Things That Hold Us Together: Taste and Sociology (2007)Taste Regimes and Market-Mediated Practice (2012)What Is a Good Tomato? A Case of Valuing in Practice (2013)The Long Revolution (1961)We gotta get out of this place: popular conservatism and postmodern culture (1992)A Sweet Lullaby for World Music (2001)Time, Place, and Metaphor in Musical Experience and Ethnography (2003)The Location of Culture (2012)Listening to the World but Hearing Ourselves: Hybridity and Perceptions of Authenticity in World Music (2014)Laboratory life: The social construction of scientific facts (1982)Clio and the economics of QWERTY (1985)Regions, Globalization, Development (2003)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Face-to-Face, Buzz, and Knowledge Bases: Sociospatial Implications for Learning, Innovation, and Innovation Policy (2007)The Sources of Innovation (2007)The Postmodern Condition: A Report on Knowledge (1984)After the Great Divide (1986)The Ideology of the Aesthetic (1988)Love is all around: a corpus-based study of pop lyrics (2012)Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast's "Mainstream" (1996) (2017)Flow (2019)Representation: Cultural representations and signifying practices. (1997)The Black Atlantic: Modernity and Double Consciousness. (1997)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Racial Authenticity in Rap Music and Hip Hop (2008)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)Gender and Cultural Consecration in Popular Music (2010)The culture industry : selected essays on mass culture (1991)Economies of Signs and Space. (1994)The Learning Economy (1994)A new map of Hollywood: the production and distribution of American motion pictures (2002)The Cluster as Market Organisation (2004)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Running with the devil: power, gender, and madness in heavy metal music (1993)Capturing sound: how technology has changed music (2005)How optimal distinctiveness affects new ventures' failure risk: A contingency perspective (2019)The techno-social reproduction of taste boundaries on digital platforms: The case of music on YouTube (2021)Explaining Creativity (2023)The Ideology of Consumption: A Structural-Syntactical Analysis of "Dallas" and "Dynasty" (1988)Employee-management Techniques: Transient Fads or Trending Fashions? (2008)Communicative Constructivism and Mediatization (2013)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Producing Artistic Value: The Case of Rock Music (1994)Insect Media: An Archaeology of Animals and Technology (2010)
this work references cited by second hop

References

  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1941On Popular Music400 cited
  • 1967Systeme De La Mode147 cited

Cited by

  • 1999The cultural economy: geography and the creative field221 cited
  • 2007Pragmatics of Taste163 cited
  • 1999The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy149 cited
  • 1999THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE101 cited
  • 1997Interpreting world music: a challenge in theory and practice100 cited
  • 2016Genre Complexes in Popular Music93 cited
  • 2003From lyric to anti-lyric: analyzing the words in pop song92 cited
  • 2003Popular music analysis: ten apothegms and four instances87 cited
  • 2003Analyzing Popular Music77 cited
  • 1995Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music69 cited
  • 2009Mandopop under siege: culturally bound criticisms of Taiwan’s pop music59 cited
  • 2001Programming philosophies and the rationalization of music radio53 cited
  • 2002

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

What is a “cantautore?” Distinction and authorship in Italian (popular) music
49 cited
  • 2018Music, Mediation Theories and Actor-Network Theory48 cited
  • 2003Marxist music analysis without Adorno: popular music and urban geography47 cited
  • 1990Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry30 cited