SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions
2 references·10 citing·38 second hop
Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions (1993)Alba Emoting: A Psychophysiological Techn…What is an emotion? (2005)What is an emotion?Effector patterns of basic emotions: a psychophysiological method for training actors (1987)Effector patterns of basic em…Things That Tell: An Object-Centered Methodology for Restorying Women’s Longing and Belonging (2022)Things That Tell: An Object-C…Stanislavski, emotion and the future of the UK conservatoire (2017)Stanislavski, emotion and the…Diderot’s body and cognitive science: sensation, impulse and action in performer training (2016)Diderot’s body and cognitive …Actor training and emotions: Finding a balance (2016)Actor training and emotions: …The effect of tabletop role-playing games on the creative potential and emotional creativity of Taiwanese college students (2015)The effect of tabletop role-p…Towards a 20th Century History of Relationships between Theatre and Neuroscience (2014)Towards a 20th Century Histor…Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile (2010)Alba Emoting and emotional me…Alba Emoting: A Safe, Effective, and Versatile Technique for Generating Emotions in Acting Performance (2008)Alba Emoting: A Safe, Effecti…Faculty Forum (1999)Faculty ForumTherapy and Actor Training (1994)Therapy and Actor TrainingThe Principles of Psychology (1891)Judgment under Uncertainty: Heuristics and Biases (1974)Content Analysis: An Introduction to its Methodology. (1984)Nurturing reflective teaching during critical-thinking instruction in a computer simulation program (2003)Psychological Critical Thinking as a Course Predictor and Outcome Variable (2003)Targeting critical thinking within teacher education: The potential impact on society (2004)Acting-in: practical applications of psychodramatic methods (1973)At a journal workshop (1975)Catharsis in Healing, Ritual, and Drama. (1982)Education in Theatrical Intimacy as Ethical Practice for University Theatre (2019)The Empty Space (1968)Exhilaration and humor (1993)Is love a “basic” emotion? (1996)Towards a Poor Theatre (2012)New Perspectives on Emotional Contagion: A Review of Classic and Recent Research on Facial Mimicry and Contagion (2014)Meyerhold on Theatre (2016)The Theater and Its Double (1958)The Player's Passion (1993)An Actor's Work (2008)Exploring Bodily Reactions: Embodied Pedagogy as an Alternative for Conventional Paradigms of Acting in Youth Theatre Education (2015)The structure of intellect. (1956)Meta-analysis in social research (1982)The Standard Definition of Creativity (2012)Using computer‐based cognitive mapping to improve students' divergent thinking for creativity development (2019)Handbook of Qualitative Research (1994)InterViews learning the craft of qualitative research interviewing (2008)Digital Natives, Digital Immigrants (2012)The Player's Passion: Studies in the Science of Acting (1986)Psychophysical Acting: An Intercultural Approach after Stanislavski (2008)Archaeologies of Presence (2012)We have never been modern (1994)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Vibrant Matter (2010)Passions within reason: the strategic role of the emotions (1989)Emotions Revealed: Recognizing Faces and Feelings to Improve Communication and Emotional Life (2003)Relations among emotion, appraisal, and emotional action readiness. (1989)What's basic about basic emotions? (1990)Positive Emotions Broaden and Build (2013)
this work references cited by second hop

References

  • 2005What is an emotion?2,206 cited
  • 1987Effector patterns of basic emotions: a psychophysiological method for training actors75 cited

Cited by

  • 1999Faculty Forum79 cited
  • 2015The effect of tabletop role-playing games on the creative potential and emotional creativity of Taiwanese college students68 cited
  • 2010Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile11 cited
  • 1994Therapy and Actor Training11 cited
  • 2016Actor training and emotions: Finding a balance8 cited
  • 2008Alba Emoting: A Safe, Effective, and Versatile Technique for Generating Emotions in Acting Performance7 cited
  • 2016Diderot’s body and cognitive science: sensation, impulse and action in performer training6 cited
  • 2022Things That Tell: An Object-Centered Methodology for Restorying Women’s Longing and Belonging5 cited
  • 2014Towards a 20th Century History of Relationships between Theatre and Neuroscience5 cited
  • 2017Stanislavski, emotion and the future of the UK conservatoire5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work