Psychophysical Acting: An Intercultural Approach after Stanislavski

Phillip B. Zarrilli

153 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theatre and Performance Studies Artistic and Creative Research Arts and Performance Studies

Abstract

Foreword by Eugenio Barba. A preface in three voices. Introduction: a psychophysical approach to acting Part 1: What is the actor's work? 1. Historical context 2. Beginning with the breath 3. An enactive approach to acting and embodiment Part 2: Work on oneself 4. The source traditions: yoga, kalarippayattu, and taiqiquan 5. The psychophysical actor's I can 6. Exercises for playing in-between: structured improvisations Part 3: Production case studies 7. The Beckett Project 8. The Water Station by Ota Shogo 9. Speaking Stones: Images, voices, fragments ... from that which comes after, with Text by Kaite O'Reilly and German translation by Frank Heibert 10. 4:48 Psychosis by Sarah Kane 11. Attempts on Her Life by Martin Crimp

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 153 citations exist upstream.

Cited by

2010Embodying understanding: drawing as research in sport and exercise 2019Notes for Decolonizing Embodiment 2015Crafting fidelity: pedagogical creativity in kathak dance 2013Sensational devotion: evangelical performance in twenty-first-century America 2018On habit and performer training 2017Proto-Acting as a New Concept: Personal Mimicry and the Origins of Role Playing 2015Of Hybrids and the Posthuman: Performer Training in the 21st Century 2013‘Habitational action’: beyond inner and outer action

Imported from OpenAlex (CC0) — nothing here is generated.