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Diatonic Trichords in Two Pieces from Kurtág's Kafka-Fragmente: A Neo-Riemannian Approach
7 references·0 citing·21 second hop
Diatonic Trichords in Two Pieces from Kurtág's Kafka-Fragmente: A Neo-Riemannian Approach (2002)Diatonic Trichords in Two Pieces from Kur…Voice-Leading Spaces (1998)Voice-Leading SpacesSome Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Musical Form and Transformation: Four Analytic Essays (1994)Musical Form and Transformati…Musical form and Transformation: Four Analytic Essays (1993)Musical form and Transformati…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Tonal implications of the diatonic set (1981)Tonal implications of the dia…Perspectives of New Music (1963)Composition With Pitch-Classes (1987)Music theory and mathematics (2002)Voice Leading in Set-Class Space (2005)Transformational Analysis and the Representation of Genius in Film Music (2013)From a Categorical Point of View: K-Nets as Limit Denotators (2006)A Transformational Space for Elliott Carter’s Recent Complement-Union Music (2009)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Uniform Triadic Transformations (2002)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Reconsidering Klumpenhouwer Networks (2007)Contextual-Inversion Spaces (2011)Musical Scales and the Generalized Circle of Fifths (1986)Supplement to the Theory of Augmented-Sixth Chords (1995)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)
this work references cited by second hop

References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"132 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 1998Voice-Leading Spaces63 cited
  • 1993Musical form and Transformation: Four Analytic Essays54 cited
  • 1994Musical Form and Transformation: Four Analytic Essays34 cited

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