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Signification of Parody and the Grotesque in György Ligeti'sLe Grand Macabre
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Signification of Parody and the Grotesque in György Ligeti'sLe Grand Macabre (2009)Signification of Parody and the Grotesque…Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)Kaleidoscopic Topics in the M…Naming the Frames that Shape Us (2020)Naming the Frames that Shape …"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn (2019)"Finding the Proper Sequence"…‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship (2019)‘Out of the Air’: Judith Weir…Perceiving Irony in Music (2016)Perceiving Irony in MusicRESISTING CLOSURE: THE PASSACAGLIA FINALE FROM GYÖRGY LIGETI'S LE GRAND MACABRE (2015)RESISTING CLOSURE: THE PASSAC…Salome's Grotesque Climax and Its Implications (2014)Salome's Grotesque Climax and…Fundamentals of Musical Composition (1968)Classic Music: Expression, Form, and Style (1981)Generalized Musical Intervals and Transformations (1988)Inaudible Structures, Audible Music: Ligeti's Problem, and His Solution (1987)The Music of Béla Bartók (1992)Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute (2017)A Cognitive Theory of Musical Meaning (2000)Beyond the Sonata Principle (2002)Success and Failure in Mahler's Sonata Recapitulations (2011)Climax Building in Verismo Opera (2020)Is There a Text in This Class? The Authority of Interpretive Communities (1983)The Modularity of Mind (1983)Using Language (1996)A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985)A Theory of Parody. The Teachings of Twentieth-Century Art Forms (1986)The Cambridge Handbook of Creativity (2010)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Extraordinary measures: disability in music (2011)Music Theory and the White Racial Frame (2020)Orienting to Pedagogical Service (2023)Manifestoes of Surrealism (1969)Elements of Sonata Theory (2006)The Oxford Handbook of Topic Theory (2013)
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Cited by

  • 2016Perceiving Irony in Music24 cited
  • 2019‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship23 cited
  • 2014Salome's Grotesque Climax and Its Implications7 cited
  • 2020Naming the Frames that Shape Us4 cited
  • 2024Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès3 cited
  • 2015RESISTING CLOSURE: THE PASSACAGLIA FINALE FROM GYÖRGY LIGETI'S LE GRAND MACABRE3 cited
  • 2019"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn3 cited

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