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‘Welcome singingsunguraqueens’: Cultural studies and the promotion of female musicians in a Zimbabwean male-dominated music genre
8 references·2 citing·35 second hop
‘Welcome singingsunguraqueens’: Cultural studies and the promotion of female musicians in a Zimbabwean male-dominated music genre (2011)‘Welcome singingsunguraqueens’: Cultural …Artists’ earnings and copyright: A review of British and German music industry data in the context of digital technologies (2005)Artists’ earnings and copyrig…Sounds of change : social and political features of music in Africa (2004)Sounds of change : social and…Playing with Identities in Contemporary Music in Africa (2003)Playing with Identities in Co…Singing culture : a study of gospel music in Zimbabwe (2002)Singing culture : a study of …Media Ownership: The Economics and Politics of Convergence and Concentration in the UK and European Media (2002)Media Ownership: The Economic…American Popular Music: From Minstrelsy to MTV (2002)American Popular Music: From …Music, radio and the record business in Zimbabwe today (2001)Music, radio and the record b…Waiting for the rain (1975)Waiting for the rainSungura Music's Development in Zimbabwe: The Emergence of Trendsetters, Emulators and Copycats (2014)Sungura Music's Development i…Children's welfare in Zimbabwean music: Insights from selected artists (2013)Children's welfare in Zimbabw…In Township Tonight! South Africa's Black City Music and Theatre (1987)'Delivered From the Spirit of Poverty?': Pentecostalism, Prosperity and Modernity in Zimbabwe1 (1998)Christianity in Africa: The Renewal of a Non-Western Religion (1999)Ghana -- long term growth, atrophy and stunted recovery (2003)African Families in a Global Context (2005)Mediating the Gospel: Pentecostal Christianity and Media Technology in Botswana and Zimbabwe (2012)Being and Time (1927)A social history of British broadcasting (1991)Genesis of Heidegger's Being and Time (1994)Reworking and resisting globalising influences: Cape Town hip-hop (2010)The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period (2010)Rethinking the notion of chimurenga in the context of political change in Zimbabwe (2011)Representing Africa in Children's Literature: Old and New Ways of Seeing (2007)The Cultural Studies Reader (1993)Educational Research: Planning, Conducting, and Evaluating Quantitative and Qualitative Research (2001)Theory for Ethnomusicology (2015)The Evolution of the Roles of Producers in the Zimbabwe Recording Industry (2022)Signals and noise (2007)‘Ye Olde Hot Aire’: reporting on human contributions to climate change in the UK tabloid press (2008)Political economy, media, and climate change: sinews of modern life (2013)Working musicians: exploring the rhetorical ties between musical labour and leisure (2008)Dispatches from the Front: The Life and Writings of Ralph J. Gleason (2013)Rethinking Reich (2019)Old and New Fictions: Rearranging the Geographies of Urban Space and Identities in Post-2006 Zimbabwean Fiction (2010)Where is my home? Rethinking person, family, ethnicity and home under increased transnational migration by Zimbabweans (2010)Island writing, Creole cultures (2012)The Value of the Public Domain (2006)Sharing and Owning of Musical Works (2009)Video Killed the Radio Star? Online Music Videos and Digital Music Sales (2014)GENTRIFICATION, GLOBALIZATION, AND GEORACIALITY (2006)RACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES (2006)The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy (2010)Music and Identity: Transformation and Negotiation (2006)Challenging Patriarchy and Exercising Women's Agency in Zimbabwean Music: Analysing the Careers of Chiwoniso Maraire and Olivia Charamba (2012)The Politics of Silence: Music, Violence and Protest in Guinea (2014)
this work references cited by second hop

References

  • 2002Media Ownership: The Economics and Politics of Convergence and Concentration in the UK and European Media252 cited
  • 2003Playing with Identities in Contemporary Music in Africa83 cited
  • 1975Waiting for the rain68 cited
  • 2002American Popular Music: From Minstrelsy to MTV66 cited
  • 2002Singing culture : a study of gospel music in Zimbabwe58 cited
  • 2004Sounds of change : social and political features of music in Africa44 cited
  • 2005Artists’ earnings and copyright: A review of British and German music industry data in the context of digital technologies43 cited
  • 2001Music, radio and the record business in Zimbabwe today19 cited

Cited by

  • 2014Sungura Music's Development in Zimbabwe: The Emergence of Trendsetters, Emulators and Copycats7 cited
  • 2013Children's welfare in Zimbabwean music: Insights from selected artists5 cited

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