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Contextual-Inversion Spaces
16 references·14 citing·21 second hop
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References

  • 2003Metaphors We Live By25,220 cited
  • 1987Women, Fire, and Dangerous Things12,688 cited
  • 1988Women, Fire, and Dangerous Things: What Categories Reveal about the Mind7,367 cited
  • 1987The Body in the Mind6,478 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 2006The Geometry of Musical Chords292 cited
  • 1991Introduction to Post-Tonal Theory277 cited
  • 2000A Cognitive Theory of Musical Meaning254 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1996Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music215 cited

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Composition With Pitch-Classes
167 cited

Cited by

  • 2023An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music21 cited
  • 2020Why topology?14 cited
  • 2013Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality10 cited
  • 2012Building Generalized Neo-Riemannian Groups of Musical Transformations as Extensions10 cited
  • 2017Alfred Schnittke’s Triadic Practice6 cited
  • 2018Voicing Transformations of Triads6 cited
  • 2013Triadic Music in Twentieth-Century Russia6 cited
  • 2018Cycles in Webern’s Late Music5 cited
  • 2019Guide-Tone Space4 cited
  • 2012Towards A Categorical Approach of Transformational Music Theory4 cited
  • 2016Reflections on (and in) Strunk's Tonnetz3 cited
  • 2013A Tonnetz model for pentachords3 cited
  • 2013Interval Permutations3 cited
  • 2019Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s Twelve-tone Music3 cited