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Total Synchronous Fluorescence Spectroscopy Combined with Multivariate Analysis: Method for the Classification of Selected Resins, Oils, and Protein-Based Media Used in Paintings

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References

2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
2012Organic Chemistry of Museum Objects164 cited
1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
2008Novel analytical methods for characterising binding media and protective coatings in artworks148 cited
2008Vibrational and electronic properties of painting lakes145 cited
1967Original treatises on the arts of painting115 cited
2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
2003Ageing behaviour and analytical pyrolysis characterisation of diterpenic resins used as art materials: Manila copal and sandarac95 cited
2000GC-MS characterization of paint varnishes92 cited
1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
2006Analysis of protein-based binding media found in paintings using laser induced fluorescence spectroscopy82 cited
2007

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Fiber-Optic Fourier Transform Mid-Infrared Reflectance Spectroscopy: A Suitable Technique for in Situ Studies of Mural Paintings

73 cited

2002Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry70 cited

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2014Characterisation and discrimination of various types of lac resin using gas chromatography mass spectrometry techniques with quaternary ammonium reagents43 cited
2014Combined approach of FT‐Raman, SERS and IR micro‐ATR spectroscopies to enlighten ancient technologies of painted and varnished works of art40 cited
2011Laser-induced fluorescence and FT-Raman spectroscopy for characterizing patinas on stone substrates38 cited
2021Organic colorants based on lac dye and brazilwood as markers for a chronology and geography of medieval scriptoria: a chemometrics approach37 cited
2014Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach35 cited
2015Spectroscopic assessment of the UV laser removal of varnishes from painted surfaces34 cited
2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited
2019Combined photoluminescence and Raman microscopy for the identification of modern pigments: explanatory examples on cross-sections from Russian avant-garde paintings26 cited
2010Multi-photon excitation fluorescence and third-harmonic generation microscopy measurements combined with confocal Raman microscopy for the analysis of layered samples of varnished oil films24 cited
2019Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints20 cited
2021Fluorescence Lifetime Phasor Analysis and Raman Spectroscopy of Pigmented Organic Binders and Coatings Used in Artworks16 cited
2013The degradation of poly(vinyl acetate) as a material for design objects: A multi-analytical study of the Cocoon lamps. Part 215 cited