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"Eight Stage Works for 800 Million People"*: The Great Proletarian Cultural Revolution in Music--A View from Revolutionary Opera
9 references·4 citing·30 second hop
"Eight Stage Works for 800 Million People"*: The Great Proletarian Cultural Revolution in Music--A View from Revolutionary Opera (2010)"Eight Stage Works for 800 Million People…Acting the Right Part (2017)Acting the Right PartRhapsody in red: how Western classical music became Chinese (2004)Rhapsody in red: how Western …Gender Politics in Modern China (1993)Gender Politics in Modern Chi…Pianos and Politics in China: Middle-Class Ambitions and the Struggle over Western Music. (1991)Pianos and Politics in China:…Chinese cinema: culture and politics since 1949 (1989)Chinese cinema: culture and p…Chinese Theater: From Its Origins to the Present Day (1984)Chinese Theater: From Its Ori…A history of Chinese drama (1976)A history of Chinese dramaChinese Opera after the Cultural Revolution (1970–72) (1973)Chinese Opera after the Cultu…Mao's Last Revolution (1966)Mao's Last RevolutionSinging a Chinese Nation: Heritage Preservation, the Yuanshengtai Movement, and New Trends in Chinese Folk Music in the Twenty-First Century (2021)Singing a Chinese Nation: Her…Chinese Television and National Identity Construction (2017)Chinese Television and Nation…Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture (2012)Making Politics Serve Music: …Behind the scenes of music education in China: a survey of historical memory (2012)Behind the scenes of music ed…A History of Modern Chinese Fiction (1972)The Cambridge History of China (1987)Bridging Culture and Communities: A Bibliometric Analysis of Collaboration Practices of Museums, Libraries, and Theaters (2024)The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation (2001)Environmental Crisis, Culture Loss, and a New Musical Aesthetic: China’s “Original Ecology Folksongs” In Theory and Practice (2016)The Most Influential Elements of the Chinese Traditional Music Culture before the Ming Dynasty in Southeast Asia (2022)Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era (2024)Ethnomusicological Insights into the Sociocultural Dynamics of Folk Songs in Southern Shaanxi, China (2025)Chinese Conceptions of “Rights”: From Mencius to Mao—and Now (2008)Lying or Believing? Measuring Preference Falsification From a Political Purge in China (2015)The Second Cold War: US-China Competition for Centrality in Infrastructure, Digital, Production, and Finance Networks (2023)East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Post-Colonialism, and Multiculturalism (2007)Why Chinese people play Western classical music: Transcultural roots of music philosophy (2011)Vocal performance in the seventeenth century (2012)Chinese Operas on Stage and Screen: A Short Introduction (2010)Cultural Revolution Model Opera Films and the Realist Tradition in Chinese Cinema (2010)Operatic Ghosts on Screen: The Case of A Test of Love (1958) (2010)Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s (2004)Screening Disability in the PRC (2007)Disability in Contemporary China (2020)Peking Opera before the Twentieth Century (1994)Staging the world in late‐qing China: Globe, nation, and race in a 1904 Beijing opera (2000)Normative justification for public arts funding: what can we learn from linking arts consumption and arts policy in Israel? (2018)“Music for a National Defense”: Making Martial Music during the Anti-Japanese War (2015)Peking Opera as "National Opera" in Taiwan: What's in a Name? (1995)Mei Lanfang and the Nationalization of Peking Opera, 1912–1930 (1999)Flowers on the Battlefield are More Fragrant (2007)Sex Machine: Global Hypermasculinity and Images of the Asian Woman in Modernity (1999)The New Woman Commits Suicide: The Press, Cultural Memory, and the New Republic (2005)Ageing, migration and familial support in rural China (2013)
this work references cited by second hop

References

  • 1966Mao's Last Revolution609 cited
  • 2004Rhapsody in red: how Western classical music became Chinese137 cited
  • 1989Chinese cinema: culture and politics since 1949125 cited
  • 1993Gender Politics in Modern China117 cited
  • 2017Acting the Right Part90 cited
  • 1991Pianos and Politics in China: Middle-Class Ambitions and the Struggle over Western Music.67 cited
  • 1976A history of Chinese drama61 cited
  • 1973Chinese Opera after the Cultural Revolution (1970–72)49 cited
  • 1984Chinese Theater: From Its Origins to the Present Day41 cited

Cited by

  • 2021Singing a Chinese Nation: Heritage Preservation, the Yuanshengtai Movement, and New Trends in Chinese Folk Music in the Twenty-First Century29 cited
  • 2012Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture12 cited
  • 2017Chinese Television and National Identity Construction11 cited
  • 2012Behind the scenes of music education in China: a survey of historical memory7 cited

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