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Affecting the Embargo: Displacing Politics in theBuena Vista Social Club
15 references·0 citing·29 second hop
Affecting the Embargo: Displacing Politics in theBuena Vista Social Club (2008)Affecting the Embargo: Displacing Politic…World music (2001)World musicThe ‘local’ and ‘global’ in popular music (2001)The ‘local’ and ‘global’ in p…Introduction: On Difference, Representation, and Appropriation in Music (2001)Introduction: On Difference, …Western music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Critique of Exotica: Music, Politics and the Culture Industry (2000)Critique of Exotica: Music, P…Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Dancing in Spite of Myself (1997)Dancing in Spite of MyselfUnthinking Eurocentrism: Multiculturalism and the Media (1996)Unthinking Eurocentrism: Mult…Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Pygmy POP. A Genealogy of Sch…Performing Rites (1996)Performing RitesOn Unthinking Eurocentrism: Multiculturalism and the Media (1995)On Unthinking Eurocentrism: M…Film theory goes to the movies (1993)Film theory goes to the moviesGender and culture of empire: Toward a feminist ethnography of the cinema (1991)Gender and culture of empire:…Journal of Latin American Studies (1970)Journal of Latin American Stu…On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)Mimesis and alterity: a particular history of the senses (1993)The Visible Evidence of Cultural Producers (2000)The New Grove dictionary of music and musicians (2001)World music: deterritorializing place and identity (2004)Soundscapes: Toward a Sounded Anthropology (2010)Rethinking diversity: Hybridity and hybrid language practices in the third space (1999)Rethinking Critical Theory and Qualitative Research (2011)Critical Discourse Analysis (2015)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles (2003)Decorative Sociology: Towards a Critique of the Cultural Turn (2000)How to improve scenario analysis as a strategic management tool? (2004)Becoming and Being Hopeful: Towards a Theory of Affect (2006)Multinationals and Global Capitalism (2004)The right to be properly researched: research with children in a messy, real world (2009)Dynamics of Change in Chile: Explaining the Emergence of the 2006PingüinoMovement (2013)Drawing ourselves into teaching: Studying the images that shape and distort teacher education (1996)Culture and Subjectivity in Neoliberal and Postfeminist Times (2008)The Confidence Cult(ure) (2015)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)
this work references cited by second hop

References

  • 1997Performing rites: on the value of popular music1,310 cited
  • 1995On Unthinking Eurocentrism: Multiculturalism and the Media1,181 cited
  • 1996Performing Rites1,123 cited
  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1970Journal of Latin American Studies382 cited
  • 1996Pygmy POP. A Genealogy of Schizophonic Mimesis283 cited
  • 1993Film theory goes to the movies238 cited
  • 1997Dancing in Spite of Myself218 cited
  • 2000Critique of Exotica: Music, Politics and the Culture Industry168 cited
  • 1991Gender and culture of empire: Toward a feminist ethnography of the cinema126 cited
  • 2001Introduction: On Difference, Representation, and Appropriation in Music125 cited
  • 2001World music49 cited
  • 2001The ‘local’ and ‘global’ in popular music43 cited

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