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Genre, Translation, and Transnational Cinema: Kim Jee-woon’s The Good, the Bad, the Weird
16 references·1 citing·25 second hop
Genre, Translation, and Transnational Cinema: Kim Jee-woon’s The Good, the Bad, the Weird (2015)Genre, Translation, and Transnational Cin…The Language of Psychoanalysis (2018)The Language of PsychoanalysisThe South Korean film renaissance: local hitmakers, global provocateurs (2010)The South Korean film renaiss…Hong Kong connections: transnational imagination in action cinema (2006)Hong Kong connections: transn…South Korean golden age melodrama : gender, genre, and national cinema (2005)South Korean golden age melod…Genre and Hollywood (2005)Genre and HollywoodFilm genre reader III (2003)Film genre reader IIIReinventing film studies (2000)Reinventing film studiesEssays on otherness (1999)Essays on othernessPrimitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (1997)Primitive Passions: Visuality…Formations of Colonial Modernity in East Asia (1997)Formations of Colonial Modern…Melodrama: Stage Picture Screen (1994)Melodrama: Stage Picture Scre…Questions of genre (1990)Questions of genreHome is where the heart is: studies in melodrama and the woman's film (1988)Home is where the heart is: s…Hollywood Genres: Formulas, Filmmaking, and the Studio System (1982)Hollywood Genres: Formulas, F…Illuminations: Essays and Reflections (1968)Illuminations: Essays and Ref…Vocabulaire de la psychanalyse (1967)Vocabulaire de la psychanalyseLines Left to Cross: Deglobalization and the Domestic Western in Bong Joon-ho’sParasite (2023)Lines Left to Cross: Deglobal…Genre and game studies: Toward a critical approach to video game genres (2006)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Film Bodies: Gender, Genre, and Excess (1991)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Question Of Proof In Freud's Psychoanalytic Writings (1977)L’entretien clinique de recherche en sciences de l’éducation (2005)The Political Sociology of Emotions (2020)Sexual scripts: Permanence and change (1986)Gender, Habitus and the Field (1999)Language and Sexuality (2003)For Public Sociology (2005)Knowledge and Critical Pedagogy (2008)Deleuze and the Anthropology of Becoming (2010)Culture, communication, and the challenge of globalization (2002)Global Modernity: Modernity in the Age of Global Capitalism (2006)Queering the transnational turn: regionalism and queer Asias (2016)Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas (2004)Beyond Participant Observation: Collaborative Ethnography as Theoretical Innovation (2008)Aesthetics and Quality in Popular Television Drama (2003)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)An Interview with Jean Laplanche (2001)The Trouble with Recognition: Subjectivity, Suffering, and Agency (2008)The Memory of Photography (2010)
this work references cited by second hop

References

  • 1968Illuminations: Essays and Reflections3,839 cited
  • 2018The Language of Psychoanalysis1,500 cited
  • 1988Home is where the heart is: studies in melodrama and the woman's film719 cited
  • 1967Vocabulaire de la psychanalyse657 cited
  • 1997Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema636 cited
  • 2000Reinventing film studies635 cited
  • 1982Hollywood Genres: Formulas, Filmmaking, and the Studio System510 cited
  • 1997Formations of Colonial Modernity in East Asia352 cited
  • 2005Genre and Hollywood305 cited
  • 1999Essays on otherness293 cited
  • 1994Melodrama: Stage Picture Screen289 cited
  • 1990Questions of genre241 cited
  • 2006Hong Kong connections: transnational imagination in action cinema145 cited
  • 2003Film genre reader III125 cited
  • 2010The South Korean film renaissance: local hitmakers, global provocateurs113 cited
  • 2005South Korean golden age melodrama : gender, genre, and national cinema107 cited

Cited by

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  • 2023Lines Left to Cross: Deglobalization and the Domestic Western in Bong Joon-ho’sParasite4 cited