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Direct infusion mass spectrometry as a fingerprint of protein‐binding media used in works of art
6 references·3 citing·37 second hop
Direct infusion mass spectrometry as a fingerprint of protein‐binding media used in works of art (2005)Direct infusion mass spectrometry as a fi…Statistics and Chemometrics for Analytical Chemistry (2005)Statistics and Chemometrics f…Identification of binding media in works of art by gas chromatography?mass spectrometry (2004)Identification of binding med…Suppression of pigment interference in the gas chromatographic analysis of proteinaceous binding media in paintings with EDTA (2003)Suppression of pigment interf…Analytical study of proteinaceous binding media in works of art by gas chromatography using alkyl chloroformates as derivatising agents (2002)Analytical study of proteinac…GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)GC-MS characterization of pro…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry (2012)Proteinaceous binders identif…Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry (2012)Characterization and Identifi…Infusion mass spectrometry as a fingerprint to characterize varnishes in oil pictorial artworks (2007)Infusion mass spectrometry as…Il Libro dell'Arte (1934)The Artist's Handbook of Materials and Techniques (1940)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterization of proteinaceous glues in old paintings by separation of the o-phtalaldehyde derivatives of their amino acids by liquid chromatography with fluorescence detection (2005)Development and application of an ELISA method for the analysis of protein-based binding media of artworks (2014)Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples (2015)Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings (2006)A simple and reliable methodology to detect egg white in art samples (2013)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes (1998)Analytical characterization of binding medium used in ancient Chinese artworks by pyrolysis–gas chromatography/mass spectrometry (2006)Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media (2008)In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Organic Chemistry of Museum Objects (2012)The Organic Chemistry of Museum Objects (1987)A GC-MS study on the deterioration of lipidic paint binders (2002)The binding media of the polychromy of Qin Shihuang's Terracotta Army (2008)Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy) (2012)Conservation of Leather and Related Materials (2006)ToF‐SIMS study of gilding technique in the fresco Vela della Castità by Giotto's school (2016)Leonardo's Donna Nuda unveiled (2019)An analytical evaluation of Er:YAG laser cleaning tests on a nineteenth century varnished painting (2020)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Sidestepping the challenge of casein quantification in ancient paintings by dot-blot immunoassay (2017)The influence of colouring materials and artificial ageing on the occurrence of nonspecific peptides in protein binders (2022)Application of Factorial and Response Surface Methodology in Modern Experimental Design and Optimization (2006)Lipid composition of fingermark residue and donor classification using GC/MS (2014)Replicability or reproducibility? On the replication crisis in computational neuroscience and sharing only relevant detail (2018)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)
this work references cited by second hop

References

  • 2005Statistics and Chemometrics for Analytical Chemistry3,775 cited
  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2000GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts107 cited
  • 2004Identification of binding media in works of art by gas chromatography?mass spectrometry65 cited
  • 2002Analytical study of proteinaceous binding media in works of art by gas chromatography using alkyl chloroformates as derivatising agents45 cited
  • 2003Suppression of pigment interference in the gas chromatographic analysis of proteinaceous binding media in paintings with EDTA39 cited

Cited by

  • 2012Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry27 cited
  • 2012Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry14 cited
  • 2007Infusion mass spectrometry as a fingerprint to characterize varnishes in oil pictorial artworks9 cited

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