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“You Don't Get to Sing a Song When You Have Nothing to Say”: Oliver Mtukudzi's Music as a Vehicle for Socio-Political Commentary
13 references·4 citing·29 second hop
“You Don't Get to Sing a Song When You Have Nothing to Say”: Oliver Mtukudzi's Music as a Vehicle for Socio-Political Commentary (2004)“You Don't Get to Sing a Song When You Ha…Publics and Counterpublics (2002)Publics and CounterpublicsNationalists, cosmopolitans, and popular music in Zimbabwe (2001)Nationalists, cosmopolitans, …Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, Cosmopolitans, …World music : the rough guide (1999)World music : the rough guidePerforming Rites: Evaluating Popular Music (1998)Performing Rites: Evaluating …Performing Rites (1996)Performing RitesRhythm and resistance: explorations in the political uses of popular music (1991)Rhythm and resistance: explor…Music for pleasure: essays in the sociology of pop (1989)Music for pleasure: essays in…Popular Music and Communication. (1988)Popular Music and Communicati…Speech Genres and Other Late Essays (1987)Speech Genres and Other Late …Popular Arts in Africa (1987)Popular Arts in AfricaSpeech Genres and Other Late Essays (1986)Speech Genres and Other Late …The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe (1979)The Soul of Mbira: Music and …Exploring gerontology in Tuku’s selected songs: the case of ‘ Wasakara ’ (2000) and ‘Ndakuvara’ (2002) (2024)Exploring gerontology in Tuku…Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’ by Poxi Presha (2018)Rapping with a Forked Tongue,…Risky dialogues: the performative state and the nature of power in a postcolony (2015)Risky dialogues: the performa…“Mr. President”: Musical Open Letters as Political Commentary in Africa (2012)“Mr. President”: Musical Open…The Cambridge History of American Music (1998)Time–Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganisation of the Music Industry (2001)From creator to data: the post-record music industry and the digital conglomerates (2018)Adolescents' uses of media for self-socialization (1995)Understanding sponsorship effects (2001)The role of music in adolescents' mood regulation (2006)Expansive Learning at Work: Toward an activity theoretical reconceptualization (2001)Discourse Analysis as Theory and Method (2002)Learning by Expanding (2014)Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in the Global Cultural Economy (1990)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)Online University Teaching During and After the Covid-19 Crisis: Refocusing Teacher Presence and Learning Activity (2020)Music and the Global Order (2004)World music: deterritorializing place and identity (2004)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Regions unbound: towards a new politics of place (2004)For Public Sociology (2005)#Ferguson: Digital protest, hashtag ethnography, and the racial politics of social media in the United States (2015)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)After Adorno : rethinking music sociology (2003)Key themes in media theory (2007)Space-form and the acousmatic image (2007)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Coloniality of Power in Postcolonial Africa. Myths of Decolonization (2013)
this work references cited by second hop

References

  • 1986Speech Genres and Other Late Essays9,076 cited
  • 2002Publics and Counterpublics3,860 cited
  • 1987Speech Genres and Other Late Essays3,185 cited
  • 1996Performing Rites1,123 cited
  • 1987Popular Arts in Africa539 cited
  • 2000Nationalists, Cosmopolitans, and Popular Music in Zimbabwe444 cited
  • 1989Music for pleasure: essays in the sociology of pop311 cited
  • 1988Popular Music and Communication.291 cited
  • 1998Performing Rites: Evaluating Popular Music287 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 1999World music : the rough guide160 cited
  • 1979The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe145 cited
  • 1991Rhythm and resistance: explorations in the political uses of popular music108 cited

Cited by

  • 2015Risky dialogues: the performative state and the nature of power in a postcolony16 cited
  • 2012“Mr. President”: Musical Open Letters as Political Commentary in Africa14 cited
  • 2018Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’ by Poxi Presha

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3 cited
  • 2024Exploring gerontology in Tuku’s selected songs: the case of ‘ Wasakara ’ (2000) and ‘Ndakuvara’ (2002)1 cited