The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe

Roderic C. Knight · Paul F. Berliner

145 citations0/0 files storedAfrican Arts

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Diverse Musicological Studies Musicology and Musical Analysis Music History and Culture

Abstract

A scholarly portrayal of Shona musicians and the African Musical tradition. l Berliner provides the complete cultural context for the music and an intimate, precise account of the meaning of the instrument and its music.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 145 citations exist upstream.

Cited by

2004The Social Contexts of Focus Groups 2009Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context 2008Sounds of Power: An Overview of Musical Instruments and Gender 1991The State of Research on Performance in Africa 1986The Person and the Life Cycle in African Social Life and Thought 2007Music, Spirit Possession and the In-Between: Ethnomusicological Inquiry and the Challenge of Trance 2016The Cambridge Companion to Percussion 2004Music and Politics in Africa

Imported from OpenAlex (CC0) — nothing here is generated.