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Dziga Vertov's Three Songs about Lenin (1934): A Visual Tour through the History of the Soviet Avant-Garde in the Interwar Years
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Dziga Vertov's Three Songs about Lenin (1934): A Visual Tour through the History of the Soviet Avant-Garde in the Interwar Years (2003)Dziga Vertov's Three Songs about Lenin (1…The Soviet photograph, 1924-1937 (1996)The Soviet photograph, 1924-1…Film History: An Introduction (1994)Film History: An IntroductionThe Contest of Meaning: Critical Histories of Photography (1992)The Contest of Meaning: Criti…Photography in the modern era : European documents and critical writings, 1913-1940 (1989)Photography in the modern era…Kino-Eye: The Writings of Dziga Vertov (1986)Kino-Eye: The Writings of Dzi…Soviet cinema in the silent era, 1918-1935 (1985)Soviet cinema in the silent e…From Faktura to Factography (1984)From Faktura to FactographyThe Politics of the Soviet Cinema 1917–1929 (1979)The Politics of the Soviet Ci…The Documentary Tradition (1979)The Documentary TraditionExperimental Communities (2009)Experimental CommunitiesAllegory and accommodation: Vertov'sThree Songs of Lenin(1934) as a Stalinist Film (2006)Allegory and accommodation: V…Kino: A History of the Russian and Soviet Film (1961)Film as a Subversive Art (1974)Cinema for the "Soviet East": National Fact and Revolutionary Fiction in Early Azerbaijani Film (1997)Singing on the Steppes for Stalin: Ivan Pyr'ev and the Kolkhoz Musical in Soviet Cinema (1999)Fragmented Mythologies: Soviet TV Mini-Series of the 1970s (2003)A theory of justice original editionThe Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Film Festivals : From European Geopolitics to Global Cinephilia (2007)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)A philosophy of cinematic art (2010)Speaking For, Speaking About, Speaking With, or Speaking Alongside — An Anthropological and Documentary Dilemma (1991)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Contemporary Art and the Politics of Aesthetics (2009)Russian piety and Orthodox culture 1380–1589 (2006)The legacy of the French Revolution: Orthodoxy and nationalism (2006)Ideologies in Fact: Still and Moving‐Image Documentary in the Soviet Union, 1927–1932 (2010)Modern Times: The Soviet Union and the Interwar Conjuncture (2001)Representing Discourse: The Rhetoric of Transcription (1991)Contested Global Visions: One-World, Whole-Earth , and the Apollo Space Photographs (1994)Objects of Affect: Photography Beyond the Image (2012)Tactility and Distraction (1991)Post-revolution nonfiction film: building the Soviet and Cuban nations (2014)Boy Meets Camera: Christopher Isherwood, Sergei Tretiakov, and the Queer Potential of the First Five-Year Plan (2015)The paradox of primitivism: Native rights and the problem of imagery in cultural survival films (1997)Documentary/Modernism: Convergence and Complementarity in the 1930s (2002)Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films (2008)ON THE ACTUARIAL GAZE (2005)What's the Point of an Index? or, Faking Photographs (2008)Photographing Objects as Queer Archival Practice (2014)
this work references cited by second hop

References

  • 1994Film History: An Introduction558 cited
  • 1986Kino-Eye: The Writings of Dziga Vertov503 cited
  • 1992The Contest of Meaning: Critical Histories of Photography405 cited
  • 1989Photography in the modern era : European documents and critical writings, 1913-1940123 cited
  • 1979The Politics of the Soviet Cinema 1917–192988 cited
  • 1984From Faktura to Factography86 cited
  • 1979The Documentary Tradition86 cited
  • 1985Soviet cinema in the silent era, 1918-193539 cited
  • 1996The Soviet photograph, 1924-193710 cited

Cited by

  • 2009Experimental Communities7 cited
  • 2006Allegory and accommodation: Vertov'sThree Songs of Lenin(1934) as a Stalinist Film6 cited

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