Character: Acting and Being on the Pre-Modern Stage

Edward Burns

38 citations0/0 files storedPalgrave Macmillan UK eBooks

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theatre and Performance Studies Renaissance Literature and Culture Narrative Theory and Analysis

Abstract

An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 38 citations exist upstream.

Cited by

2014Reflections on Violence, Law, and Humanitarianism 2012"The written troubles of the brain": Sleep No More and the Space of Character 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre 2017Shakespeare Performance Studies 2007Early Modern Tragedy, Gender and Performance, 1984–2000 2009Fletcher, Massinger, and Roman Imperial Character 2014The rival sirens: performance and identity on Handel's operatic stage 2014Creativity: the Actor in Performance

Imported from OpenAlex (CC0) — nothing here is generated.