SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Studies of wall painting fragments from Kaiping Diaolou by SEM/EDX, micro Raman and FT-IR spectroscopy
16 references·16 citing·37 second hopsampled
Studies of wall painting fragments from Kaiping Diaolou by SEM/EDX, micro Raman and FT-IR spectroscopy (2010)Studies of wall painting fragments from K…Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Characterization of a Degrade…The conservational heritage of wall paintings and buildings : an FT‐Raman spectroscopic study of prehistoric, Roman, mediaeval and Renaissance lime substrates and mortars (2008)The conservational heritage o…Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Raman identification of natur…Identification of iron‐gall inks with near‐infrared Raman microspectroscopy (2008)Identification of iron‐gall i…Characterization of Pousão Pigments and Extenders by Micro-X-ray Diffractometry and Infrared and Raman Microspectroscopy (2008)Characterization of Pousão Pi…Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Analysis of natural and artif…Synchrotron-Based X-ray Spectromicroscopy Used for the Study of an Atypical Micrometric Pigment in 16th Century Paintings (2007)Synchrotron-Based X-ray Spect…Fiber-Optic Fourier Transform Mid-Infrared Reflectance Spectroscopy: A Suitable Technique for in Situ Studies of Mural Paintings (2007)Fiber-Optic Fourier Transform…Prehistoric Anasazi ceramics studied by micro‐Raman spectroscopy (2006)Prehistoric Anasazi ceramics …Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer (2005)Pigment Identification by Spe…Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy (2004)Ciro Ferri’s frescoes: a stud…Ancient covering plaster mortars from several convents and Islamic and Gothic palaces in Palma de Mallorca (Spain). Analytical characterisation (2003)Ancient covering plaster mort…Pigment identification by spectroscopic means: an arts/science interface (2002)Pigment identification by spe…Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy (2001)Pigment identification in pai…Micro-Raman identification of the palette of a precious XVI century illuminated Persian codex (2001)Micro-Raman identification of…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…The Study of Pigments in Cultural Heritage: A Review Using Machine Learning (2024)The Study of Pigments in Cult…Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)Multi-analytical approach to …Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)Micro-Raman, XRD and THM-Py-G…Development of a multi-method analytical approach based on the combination of synchrotron radiation X-ray micro-analytical techniques and vibrational micro-spectroscopy methods to unveil the causes and mechanism of darkening of “fake-gilded” decorations in a Cimabue painting (2021)Development of a multi-method…Study of identification results of proteinous binding agents in Chinese painted cultural relics (2020)Study of identification resul…Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments (2020)Natural or synthetic? Simulta…Dual isotope system analysis of lead white in artworks (2020)Dual isotope system analysis …Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem (2019)Transmission and Reflection M…Spectroscopic and chromatographic investigation of the wall painted surfaces of an 18th century Indian temple, New Delhi (2019)Spectroscopic and chromatogra…Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius (2019)Combined Micro- and Macro sca…Nanotechnologies and Nanomaterials (2018)Nanotechnologies and Nanomate…Spectroscopic Investigation Leading to the Documentation of Three Post-Byzantine Wall Paintings (2016)Spectroscopic Investigation L…Study of modern artistic materials using combined spectroscopic and chromatographic techniques. Case study: painting with the signature “Picasso” (2014)Study of modern artistic mate…In‐situ and laboratory Raman analysis in the field of cultural heritage: the case of a mural painting (2014)In‐situ and laboratory Raman …Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy (2014)Analytical procedure for char…Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry (2012)Characterization and Identifi…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Identification of berberine in ancient and historical textiles by surface‐enhanced Raman scattering (2007)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)National Gallery Technical Bulletin (1979)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh (2012)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art* (2007)From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece (2008)FRESCO AND LIME‐PAINT: AN EXPERIMENTAL STUDY AND OBJECTIVE CRITERIA FOR DISTINGUISHING BETWEEN THESE PAINTING TECHNIQUES (2012)Modern analytical methods in art and archaeology (2000)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Handbook of North American Indians (1978)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Can the Raman spectrum of anatase in artwork and archaeology be used for dating purposes? Identification by Raman microscopy of anatase in decorative coatings on Neolithic (Yangshao) pottery from Henan, China (2007)Handheld XRF for Art and Archaeology (2013)Micro‐Raman spectroscopy and ancient ceramics: applications and problems (2014)Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy (2006)Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting (2007)New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials (2016)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)A Decade of Raman Spectroscopy in Art and Archaeology (2007)The Use of Metal Nanoparticles to Produce Yellow, Red and Iridescent Colour, from Bronze Age to Present Times in Lustre Pottery and Glass: Solid State Chemistry, Spectroscopy and Nanostructure (2009)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Raman spectra of natural manganese oxides (2019)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A study of medieval illuminated manuscripts by means of portable Raman equipments (2006)TG-DTA and FTIR analyses of plasters from byzantine monuments in Balkan region (2006)Thermal analysis and archaeological chronology: The ancient mortars of the site of Baradello (Como, Italy) (2013)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 2001Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy152 cited
  • 2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
  • 2004Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy77 cited
  • 2003Ancient covering plaster mortars from several convents and Islamic and Gothic palaces in Palma de Mallorca (Spain). Analytical characterisation73 cited
  • 2007Fiber-Optic Fourier Transform Mid-Infrared Reflectance Spectroscopy: A Suitable Technique for in Situ Studies of Mural Paintings73 cited
  • 2006Prehistoric Anasazi ceramics studied by micro‐Raman spectroscopy71 cited
  • 2008The conservational heritage of wall paintings and buildings : an FT‐Raman spectroscopic study of prehistoric, Roman, mediaeval and Renaissance lime substrates and mortars64 cited
  • 2005Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

61 cited
  • 2007Synchrotron-Based X-ray Spectromicroscopy Used for the Study of an Atypical Micrometric Pigment in 16th Century Paintings61 cited
  • 2008Identification of iron‐gall inks with near‐infrared Raman microspectroscopy60 cited
  • 2001Micro-Raman identification of the palette of a precious XVI century illuminated Persian codex60 cited
  • 2008Characterization of Pousão Pigments and Extenders by Micro-X-ray Diffractometry and Infrared and Raman Microspectroscopy54 cited
  • Cited by

    • 2019Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem43 cited
    • 2019Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius40 cited
    • 2020Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments33 cited
    • 2014Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy30 cited
    • 2014In‐situ and laboratory Raman analysis in the field of cultural heritage: the case of a mural painting28 cited
    • 2012Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry27 cited
    • 2018Nanotechnologies and Nanomaterials26 cited
    • 2020Study of identification results of proteinous binding agents in Chinese painted cultural relics25 cited
    • 2021Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China25 cited
    • 2021Development of a multi-method analytical approach based on the combination of synchrotron radiation X-ray micro-analytical techniques and vibrational micro-spectroscopy methods to unveil the causes and mechanism of darkening of “fake-gilded” decorations in a Cimabue painting24 cited
    • 2022Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques24 cited
    • 2014Study of modern artistic materials using combined spectroscopic and chromatographic techniques. Case study: painting with the signature “Picasso”24 cited
    • 2024The Study of Pigments in Cultural Heritage: A Review Using Machine Learning22 cited
    • 2020Dual isotope system analysis of lead white in artworks20 cited
    • 2016Spectroscopic Investigation Leading to the Documentation of Three Post-Byzantine Wall Paintings17 cited
    • 2019Spectroscopic and chromatographic investigation of the wall painted surfaces of an 18th century Indian temple, New Delhi17 cited