SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Indigenous African Music: A Descriptive Analysis of Mmino wa Setšo from a Northern Sotho Perspective
8 references·2 citing·35 second hop
Indigenous African Music: A Descriptive Analysis of Mmino wa Setšo from a Northern Sotho Perspective (2014)Indigenous African Music: A Descriptive A…Art as Experience (1934) (2026)Art as Experience (1934)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Bodily Hearing: Physiological…Towards a comprehensive catalogue of Eve drum mnemonics∗ (1998)Towards a comprehensive catal…African Polyphony and Polyrhythm: Musical Structure and Methodology (1992)African Polyphony and Polyrhy…Poetic License: Essays on Modernist and Postmodernist Lyric (1991)Poetic License: Essays on Mod…A brief history of South African popular music (1989)A brief history of South Afri…Tone and tune: the evidence for Northern Ewe music (1988)Tone and tune: the evidence f…Melo-Rhythmic Essence and Hot Rhythm in Nigerian Folk Music (1974)Melo-Rhythmic Essence and Hot…The Significant Role Played by Long Social Connections and a Pleasant Interactive Experience Among Traditional Bapedi Music Practitioners (2023)The Significant Role Played b…Challenges Experienced by South African Indigenous Musicians: A Critical Discourse Analysis (2023)Challenges Experienced by Sou…Music Theory, Phenomenology, and Modes of Perception (1986)Women, Fire, and Dangerous Things (1987)Feminist Theory, Music Theory, and the Mind/Body Problem (1994)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)How We Get Along (2009)Extraordinary Measures (2011)Studies in African Music (1959)Drumming in Akan Communities of Ghana (1965)African Rhythm and African Sensibility (1982)African Language Studies (1960)Creative Process in Cantonese Opera I: The Role of Linguistic Tones (1983)A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera (1999)African Music as Text (2001)Aka Polyphony (2006)The Afrocentric Idea (1990)Doing Ethnography (2008)The role of music in ethnic identity formation in diaspora: a research review (2016)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (1994)Three Approaches to Qualitative Content Analysis (2005)Editorial: Mapping the Field of Mixed Methods Research (2008)The Invention of African Rhythm (1995)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Ideologies of Lyric: A Problem of Genre in Contemporary Anglophone Poetics (1995)Black Chant: Languages of African-American Postmodernism (2000)Anthropology at the Edge of Words: Where Poetry and Ethnography Meet (2010)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)‘Music of origin’: class, social category and the performers and audience of kiba, a South African migrant genre (1997)Radio, community and identity in South Africa: A rhizomatic study of Bush Radio in Cape Town (2003)Language and Identity Representation in Popular Music (2011)African Tone-Systems: A Reassessment (1985)Intercultural Creativity in Joshua Uzoigwe's Music (2004)Rhythmic Feel as Meter (2010)
this work references cited by second hop

References

  • 2026Art as Experience (1934)5,188 cited
  • 1991Poetic License: Essays on Modernist and Postmodernist Lyric177 cited
  • 1992African Polyphony and Polyrhythm: Musical Structure and Methodology169 cited
  • 1999Bodily Hearing: Physiological Metaphors and Musical Understanding133 cited
  • 1974Melo-Rhythmic Essence and Hot Rhythm in Nigerian Folk Music66 cited
  • 1988Tone and tune: the evidence for Northern Ewe music41 cited
  • 1989A brief history of South African popular music32 cited
  • 1998Towards a comprehensive catalogue of Eve drum mnemonics∗6 cited

Cited by

  • 2023Challenges Experienced by South African Indigenous Musicians: A Critical Discourse Analysis4 cited
  • 2023The Significant Role Played by Long Social Connections and a Pleasant Interactive Experience Among Traditional Bapedi Music Practitioners3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work