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Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance

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References

1973The Structure of Atonal Music501 cited
1980Basic atonal theory160 cited
1991Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities81 cited

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2002The Rise of 6 in the Nineteenth Century15 cited
2009Tonal Implications of Harmonic and Melodic Tn-Types10 cited
2021Convergent evolution in a large cross-cultural database of musical scales6 cited
2017A Voicing-Based Model for Additive Harmony5 cited
2011To The Editor: A Response To Ian Quinn4 cited

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