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Private Anxieties/Public Projections: "New Objectivity," Male Subjectivity, and Weimar Cinema
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References

  • 1993Habermas and the Public Sphere.1,710 cited
  • 1989Critique of Cynical Reason1,069 cited
  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,032 cited
  • 1995Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere.970 cited
  • 1991Women and the Public Sphere in the Age of the French Revolution.617 cited
  • 2017Male Subjectivity at the Margins603 cited
  • 1986Reactionary Modernism. Technology, Culture and Politics in Weimar and the Third Reich363 cited
  • 2019From Caligari to Hitler336 cited
  • 1969The Haunted Screen: Expressionism in the German cinema and the influence of Max Reinhardt199 cited
  • 1987When Biology Became Destiny: Women in Weimar and Nazi Germany98 cited
  • 1983Early Silent Cinema: Whose Public Sphere?78 cited
  • 1989Joyless streets: women and melodramatic representation in Weimar, Germany70 cited
  • 1985The Weimar Years: A Culture Cut Short61 cited
  • 1990Mountains and Modernity: Relocating the Bergfilm50 cited
  • 1992Berlin: Culture and Metropolis33 cited
  • 1992Women and the new German cinema

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