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Heat alterations to pigments painted in the fresco technique
9 references·4 citing·36 second hop
Heat alterations to pigments painted in the fresco technique (1991)Heat alterations to pigments painted in t…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Muse…Conservation of wall paintings (1984)Conservation of wall paintingsThe Materials and Techniques of Painting (1982)The Materials and Techniques …MALACHITE AND GREEN VERDITER (1974)MALACHITE AND GREEN VERDITERCALCIUM CARBONATE WHITES (1974)CALCIUM CARBONATE WHITESVERMILION AND CINNABAR (1972)VERMILION AND CINNABARUltramarine Blue, Natural and Artificial (1966)Ultramarine Blue, Natural and…2. Ultramarine Blue, Natural and Artificial (1966)2. Ultramarine Blue, Natural …Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Advanced X-ray techniques to …Unraveling the materials and techniques of post-Byzantine wall paintings: Is there a sole pictorial phase at the catholicon of Stomion, Central Greece? (2018)Unraveling the materials and …Microscopic techniques and a multi-analytical approach to study the fire damage of the painted stuccoes from the Petruzzelli Theatre (Bari, Southern Italy) (2015)Microscopic techniques and a …Validating chemical and structural changes in painting materials by principal component analysis of spectroscopic data using internal mineral standards (2012)Validating chemical and struc…Cross-Sections and Chemical Analysis of Paint Samples (1956)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Cinnabar reviewed: characterization of the red pigment and its reactions (2014)VIII. Some experiments and observations on the colours used in painting by the ancients (1815)MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)Technical Studies in the Field of the Fine Arts (1977)Some Applications of Infrared Spectroscopy in the Examination of Painting Materials (1979)Fourier transform Raman spectroscopic study of pigments present in decorative wallpapers of the middle nineteenth century from the Santa Isabel factory (Vitoria, Basque Country, Spain) (2002)Fungal deterioration of a Jesuit South American polychrome wood sculpture (2010)Ancient Egyptian Materials and Industries (1948)De re metallica (1950)Ancient Egyptian Materials and Industries (1963)A Study of the Materials Used by Medieval Persian Painters (1991)An Examination of the Patina and Corrosion Morphology of Some Roman Bronzes (1994)Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research (2016)National Gallery Technical Bulletin (1979)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Comparison of genuine (1851–1852 AD ) and forged or reproduction Hawaiian Missionary stamps using Raman microscopy (2002)The Characterization of Cobalt Violet Pigments (2002)Vibrational spectroscopic study on degradation of alizarin carmine (2016)Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation (1996)Late Classical and Hellenistic painting techniques and materials: a review of the technical literature (2002)What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis (2016)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring (2020)Fuel for thought? Beeswax in lamps and conical cups from Late Minoan Crete (1997)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Total reflection X-ray fluorescence in the ultramicro analysis of artists' pigments (1994)The Sibyls from the church of San Pedro Telmo: a micro‐Raman spectroscopic investigation (2014)The influence of light and relative humidity on the formation of epsomite in cadmium yellow and French ultramarine modern oil paints (2021)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 1987The Organic Chemistry of Museum Objects202 cited
  • 1972VERMILION AND CINNABAR156 cited
  • 1984Conservation of wall paintings137 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited
  • 1974MALACHITE AND GREEN VERDITER85 cited
  • 1974CALCIUM CARBONATE WHITES68 cited
  • 1982The Materials and Techniques of Painting45 cited
  • 1966Ultramarine Blue, Natural and Artificial37 cited

Cited by

  • 2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited
  • 2012Validating chemical and structural changes in painting materials by principal component analysis of spectroscopic data using internal mineral standards14 cited
  • 2018Unraveling the materials and techniques of post-Byzantine wall paintings: Is there a sole pictorial phase at the catholicon of Stomion, Central Greece?12 cited
  • 2015Microscopic techniques and a multi-analytical approach to study the fire damage of the painted stuccoes from the Petruzzelli Theatre (Bari, Southern Italy)11 cited

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