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“Who's Selling Here?” Sounds Like The Music Man Is Selling and We’re Buying
16 references·0 citing·29 second hop
“Who's Selling Here?” Sounds Like The Music Man Is Selling and We’re Buying (2008)“Who's Selling Here?” Sounds Like The Mus…Grove Music Online (2006)Grove Music OnlineThe American musical and the formation of national identity (2005)The American musical and the …The American Musical and the Formation of National Identity (2004)The American Musical and the …The Terministic screen: rhetorical perspectives on film (2003)The Terministic screen: rheto…Four parts, no waiting: a social history of American barbershop harmony (2003)Four parts, no waiting: a soc…Four Parts, No Waiting (2003)Four Parts, No WaitingA Queer Sort of Materialism: Recontextualizing American Theater (2003)A Queer Sort of Materialism: …A Queer Sort of Materialism (2003)A Queer Sort of MaterialismEssays on Music (2002)Essays on MusicApproaches To The American Musical (1996)Approaches To The American Mu…The American Film Musical (1994)The American Film MusicalCultivating Differences: Symbolic Boundaries and the Making of Inequality. (1993)Cultivating Differences: Symb…Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Highbrow/lowbrow: the emergen…Highbrow/Lowbrow (1988)Highbrow/LowbrowA Conspiracy So Immense: The World of Joe McCarthy. (1984)A Conspiracy So Immense: The …The Theme of Popular vs. Elite Art In the Hollywood Musical (1978)The Theme of Popular vs. Elit…‘As if a little bird is sitting on your finger...’: metaphor as a key instrument in training professional musicians (2006)Crossmodal correspondences between sounds and tastes (2012)Music as Collective Invention: A Social Network Analysis of Composers (2014)Domestic Melodrama (2018)Gothic Melodrama (2018)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Musical theater and American culture (2004)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)The Cambridge Companion to Operetta (2019)Behind the Mask of Respectability: Reconsidering the Mattachine Society and Male Homophile Practice, 1950s and 1960s (2001)The rhetorical presidency, propaganda, and the Cold War, 1945-1955 (2002)The (classical) Realist vision of global reform (2010)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Practice of Cultural Studies (2004)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)Sonic geography in a nature region (2005)The Case of Blackness (2009)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Legitimacy as a Social Process (2006)Why Status Matters for Inequality (2013)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Problems in comparative research: The example of omnivorousness (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)The Production of Culture Perspective (2004)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)Musical Styles and Song Conventions (2012)
this work references cited by second hop

References

  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 1988Highbrow/Lowbrow1,097 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 2006Grove Music Online254 cited
  • 1994The American Film Musical212 cited
  • 2002Essays on Music206 cited
  • 2004The American Musical and the Formation of National Identity142 cited
  • 2005The American musical and the formation of national identity108 cited
  • 1996Approaches To The American Musical106 cited
  • 1984A Conspiracy So Immense: The World of Joe McCarthy.93 cited
  • 2003Four parts, no waiting: a social history of American barbershop harmony56 cited
  • 2003A Queer Sort of Materialism: Recontextualizing American Theater53 cited
  • 2003Four Parts, No Waiting47 cited
  • 2003The Terministic screen: rhetorical perspectives on film46 cited
  • 2003A Queer Sort of Materialism44 cited
  • 1978The Theme of Popular vs. Elite Art In the Hollywood Musical30 cited

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