SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
"Afrika singt": Austro-German Echoes of the Harlem Renaissance
8 references·1 citing·25 second hop
"Afrika singt": Austro-German Echoes of the Harlem Renaissance (1977)"Afrika singt": Austro-German Echoes of t…Caroling Dusk: An Anthology of Verse by Negro Poets (2023)Caroling Dusk: An Anthology o…Baker's biographical dictionary of musicians (2001)Baker's biographical dictiona…Understanding the New Black Poetry: Black Speech and Black Music As Poetic References (1973)Understanding the New Black P…In a Minor Chord: Three Afro-American Writers and Their Search for Identity (1971)In a Minor Chord: Three Afro-…A Hundred Years of Music (1964)A Hundred Years of MusicLe Jazz Hot (1936)Le Jazz HotThe Weary Blues (1931)The Weary BluesA dictionary of music and musicians (1887)A dictionary of music and mus…The Jazz Republic (2016)The Jazz RepublicMimesis and alterity: a particular history of the senses (1993)Gramophone, film, typewriter (1999)The Civilizing Process: Sociogenetic and Psychogenetic Investigations (2000)Social Disruption and Its Effects on Music: An Empirical Analysis (1984)Emergence and realization of genius: The lives and works of 120 classical composers. (1991)One-Hit Wonders in Classical Music: Evidence and (Partial) Explanations for an Early Career Peak (2008)The Historical Structure: Adorno's "French" Model for the Criticism of Nineteenth-Century Music (1978)Of Modell-Typen and Modell-Typen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation (1995)Temporality in Nineteenth-Century Russian Music and the Notion of Development (2013)The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century (2000)Form, Program, and Metaphor in the Music of Berlioz (2009)The orchestral revolution: Haydn and the technologies of timbre (2013)Discophilie or Discomanie? (2005)Negotiating Primitivist Modernisms: Louis Armstrong, Robert Goffin, and the Transatlantic Jazz Debate (2011)Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road (1998)Moses in America (2002)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)Listening to What the Ear Demands: Langston Hughes and His Critics (2002)Re-framing the transnational turn in American studies (2012)Institutionalised whiteness, racial microaggressions and black bodies out of place in Higher Education (2019)Fearful Asymmetries: Langston Hughes, Nicolás Guillén, and Cuba Libre (2004)There is Heterosexuality: Jessie Fauset, W. E. B. Du Bois, and the Problem of Desire (2011)Civil Rights and the Environment in African-American Literature, 1895–1941 (2017)Black Chant: Languages of African-American Postmodernism (2000)New Thoughts on the Black Arts Movement (2019)
this work references cited by second hop

References

  • 1973Understanding the New Black Poetry: Black Speech and Black Music As Poetic References172 cited
  • 1887A dictionary of music and musicians99 cited
  • 1971In a Minor Chord: Three Afro-American Writers and Their Search for Identity83 cited
  • 2001Baker's biographical dictionary of musicians60 cited
  • 1931The Weary Blues48 cited
  • 2023Caroling Dusk: An Anthology of Verse by Negro Poets43 cited
  • 1964A Hundred Years of Music22 cited
  • 1936Le Jazz Hot13 cited

Cited by

  • 2016The Jazz Republic8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work