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Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry

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2009Organic Mass Spectrometry in Art and Archaeology309 cited
2013Identification of collagen-based materials in cultural heritage172 cited
2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
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2011Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings107 cited
2009Proteomic strategies for the identification of proteinaceous binders in paintings89 cited
1998A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes86 cited
2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
2005MALDI‐TOF mass spectrometry on cellulosic surfaces of fresh and photo‐aged di‐ and triterpenoid varnish resins62 cited
2012A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings58 cited
2001Matrix‐assisted laser desorption/ionization Fourier transform mass spectrometric analysis of oxygenated triglycerides and phosphatidylcholines in egg tempera paint dosimeters used for environmental monitoring of museum display conditions58 cited
2011Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA)

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