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Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music
16 references·4 citing·30 second hop
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References

  • 1959The Logic of Scientific Discovery.7,499 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1959The logic of scientific discovery1,915 cited
  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1971Historians' Fallacies: Toward a Logic of Historical Thought328 cited
  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1971Historians' Fallacies. Toward a Logic of Historical Thought.174 cited
  • 1969The Theory of Signs in St. Augustine's De doctrina christiana125 cited
  • 1950The Notation of Polyphonic Music, 900-160090 cited
  • 1998Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood84 cited
  • 1989Performance practice : music before 160074 cited
  • 1993Mensuration and Proportion Signs69 cited
  • 1978L'Ars nova italiana del Trecento62 cited
  • 1994Born For The Muses

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57 cited

Cited by

  • 2002The evolution of rhythmic notation8 cited
  • 2006The mensura of φ in the works of Du Fay6 cited
  • 2019Guillaume Du Fay5 cited
  • 2010Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music3 cited