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The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books
16 references·1 citing·29 second hop
The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books (1999)The siren, the muse, and the god of love:…4.3 ‘Bodies that Matter’ (1999)4.3 ‘Bodies that Matter’Sexuality in the Field of Vision (1998)Sexuality in the Field of Vis…The Sight of Sound: Music Representation and the History of the Body (1994)The Sight of Sound: Music Rep…Gender Trouble: Feminism and the Subversion of Identity (1991)Gender Trouble: Feminism and …The Latin Sexual Vocabulary (1990)The Latin Sexual VocabularyReflections on Gender and Science (1987)Reflections on Gender and Sci…Vision and Painting: The Logic of the Gaze (1984)Vision and Painting: The Logi…The Latin Sexual Vocabulary (1983)The Latin Sexual VocabularyThe Holy Bible (1982)The Holy BibleThe Death of Nature: Women, Ecology, and the Scientific Revolution (1982)The Death of Nature: Women, E…Early Feminist Theory and the "Querelle des Femmes", 1400-1789 (1982)Early Feminist Theory and the…Public Man, Private Woman (1981)Public Man, Private WomanThe Renaissance Notion of Woman (1980)The Renaissance Notion of Wom…Frame Analysis: An Essay on the Organization of Experience. (1975)Frame Analysis: An Essay on t…The Pleasure of the Text (1973)The Pleasure of the TextMiddle-Class Culture in Elizabethan England (1936)Middle-Class Culture in Eliza…Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher (2001)Women's use of music to motiv…Feminism and Postmodernism (1990)Sexual Dissidence (1991)Feminism, the Family and the New 'Mediated' Maternalism (2013)Postmodernism and the Social Sciences (1992)Understanding Popular Culture (2006)The work of representation (2020)Can Anyone Hear Us? (2000)The Purchase of Intimacy (2000)Post‐feminism and popular culture (2004)What Is Agency? (1998)Framing, Agenda Setting, and Priming: The Evolution of Three Media Effects Models (2006)Beyond Markets and States: Polycentric Governance of Complex Economic Systems (2010)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The Complexity of Intersectionality (2005)Qualitative methods for health research (2009)The Extended Case Method (1998)Understanding the science experiences of successful women of color: Science identity as an analytic lens (2007)Autoethnography: An Overview (2010)Return of the Citizen: A Survey of Recent Work on Citizenship Theory (1994)The Market for Force (2005)Contemporary Discourses of Citizenship (2006)Shifting Paradigms for Sustainable Development: Implications for Management Theory and Research (1995)Methodology of the Oppressed (2010)Toward a Theory of Gender (2013)Moral philosophy (1988)Crime, Gender and Social Order in Early Modern England (2003)Female Speech in Latin Comedy (1984)Petronius and the Anatomy of Fiction (2002)Generic Enrichment in Vergil and Horace (2007)
this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1975Frame Analysis: An Essay on the Organization of Experience.11,892 cited
  • 1982The Death of Nature: Women, Ecology, and the Scientific Revolution3,231 cited
  • 19994.3 ‘Bodies that Matter’2,036 cited
  • 1987Reflections on Gender and Science1,842 cited
  • 1981Public Man, Private Woman1,144 cited
  • 1973The Pleasure of the Text1,140 cited
  • 1998Sexuality in the Field of Vision759 cited
  • 1980The Renaissance Notion of Woman628 cited
  • 1990The Latin Sexual Vocabulary613 cited
  • 1984Vision and Painting: The Logic of the Gaze487 cited
  • 1982The Holy Bible438 cited
  • 1983The Latin Sexual Vocabulary420 cited
  • 1994The Sight of Sound: Music Representation and the History of the Body330 cited
  • 1982Early Feminist Theory and the "Querelle des Femmes", 1400-1789327 cited
  • 1936Middle-Class Culture in Elizabethan England298 cited

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2001
Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher
17 cited