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David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle
6 references·7 citing·38 second hop
David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle (2007)David Lewin and Valhalla Revisited: New A…Uniform Triadic Transformations (2002)Uniform Triadic Transformatio…Rotational Form,Teleological Genesis, and Fantasy-Projection in the Slow Movement of Mahler's Sixth Symphony (2001)Rotational Form,Teleological …Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Voice-Leading Parsimony in th…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Some Notes on Analyzing Wagner: "The Ring" and "Parsifal" (1992)Some Notes on Analyzing Wagne…Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B (1984)Amfortas's Prayer to Titurel …The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Soaring Through the Sky (2019)Soaring Through the SkyMonotonality and Scalar Modulation in Sibelius’s Tapiola (2018)Monotonality and Scalar Modul…Understanding the leitmotif: from Wagner to Hollywood film music (2016)Understanding the leitmotif: …Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music (2016)Types and Applications of P3,…Music Theory through the Lens of Film (2013)Music Theory through the Lens…Birdcage Flights (2009)Birdcage FlightsMaximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Parsimony and Extravagance (2005)Cross-Type Transformations and the Path Consistency Condition (2007)Tonality (2023)Generalized Musical Intervals and Transformations (1988)Dualist tonal space and transformation in nineteenth-century musical thought (2002)"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony (1996)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Rotational Form in the Opening Scene of Gershwin's Porgy and Bess (2007)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)“I have tried to capture you …”: Rethinking the “Alma” Theme from Mahler's Sixth Symphony (2011)The Geometry of Musical Chords (2006)A Tonnetz model for pentachords (2013)Hipster Harmony (2015)Course in General Linguistics (1960)A Grammar of Motives (1969)The Anxiety of Influence: A Theory of Poetry (1974)Toward a Naturalized Aesthetics of Film Music (2019)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Total Artwork: Wagner's Philosophies on Art and Music in the Ring Cycle (2022)The musical topic: hunt, military, and pastoral (2007)Music as Discourse: Semiotic Adventures in Romantic Music (2008)A theory of musical narrative (2009)Kishōtenketsu as Leitmotif (2023)The Common Cold (2023)From Max Weber: Essays in Sociology (1946)Philosophical Investigations (1954)Simulacra and Simulation (1995)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Scale Networks and Debussy (2004)The Metaphor of Musical Space (2003)Hexatonic Poles and the Uncanny in Parsifal (2007)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)A geometry of music: harmony and counterpoint in the extended common practice (2012)
this work references cited by second hop

References

  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2002Uniform Triadic Transformations118 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited
  • 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B75 cited
  • 1992Some Notes on Analyzing Wagner: "The Ring" and "Parsifal"69 cited
  • 2001Rotational Form,Teleological Genesis, and Fantasy-Projection in the Slow Movement of Mahler's Sixth Symphony46 cited

Cited by

  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2019Soaring Through the Sky19 cited
  • 2009Birdcage Flights13 cited
  • 2013Music Theory through the Lens of Film7 cited
  • 2016Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music5 cited
  • 2018Monotonality and Scalar Modulation in Sibelius’s Tapiola3 cited

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