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Interpreting Schenkerian Prolongation
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Interpreting Schenkerian Prolongation (2003)Interpreting Schenkerian ProlongationDefinitions of "Chord" in the Teaching of Tonal Harmony (2013)Definitions of "Chord" in the…Harmonic Stasis and Oscillation in Björk’s Medúlla (2010)Harmonic Stasis and Oscillati…Inventing a Melody with Harmony (2006)Inventing a Melody with Harmo…Analysis as Interpretation: Interaction, Intentionality, Invention (2006)Analysis as Interpretation: I…Memory and Gender in the Remaking of Fanny Mendelssohn's Musical Identity: The Chorale in Das Jahr (1993)J. S. Bach's Great Eighteen Organ Chorales (2001)The Reception of Bach's Organ Works from Mendelssohn to Brahms (2006)The Senses Considered as Perceptual Systems (1969)The Composer's Voice (1974)The Act of Reading: A Theory of Aesthetic Response (1979)Harmony in Haydn and Mozart (2012)The End(s) of Genre (2013)Performing Knowledge (2020)Women, Fire, and Dangerous Things (1987)Triadic Modal and Pentatonic Patterns in Rock Music (2010)Representing African Music (2014)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)How We Got into Analysis, and How to Get out (1980)Harmony and Voice Leading (1982)The Cambridge History of Western Music Theory (2002)
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  • 2006Analysis as Interpretation: Interaction, Intentionality, Invention102 cited
  • 2010Harmonic Stasis and Oscillation in Björk’s Medúlla6 cited
  • 2013Definitions of "Chord" in the Teaching of Tonal Harmony4 cited
  • 2006Inventing a Melody with Harmony2 cited

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