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Blue Pigments in South American Painting (1610–1780)
5 references·14 citing·38 second hop
Blue Pigments in South American Painting (1610–1780) (1999)Blue Pigments in South American Painting …AIC Paintings Specialty Group Postprints 30 (2017) (2017)AIC Paintings Specialty Group…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Historia del Nuevo Mundo (1987)Historia del Nuevo MundoCross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…El Museo pictórico y escala óptica (1947)El Museo pictórico y escala ó…Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting (2023)Methodologies for the Charact…Glass-based pigments in painting: smalt blue and lead–tin yellow type II (2021)Glass-based pigments in paint…Making visible the invisible. 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this work references cited by second hop

References

  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 1987Historia del Nuevo Mundo448 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1947El Museo pictórico y escala óptica53 cited
  • 2017AIC Paintings Specialty Group Postprints 30 (2017)26 cited

Cited by

  • 2016A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)35 cited
  • 2020Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America34 cited
  • 2021Glass-based pigments in painting: smalt blue and lead–tin yellow type II34 cited
  • 2018Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)27 cited
  • 2003Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook25 cited
  • 2018El Condor mine: Prehispanic production and consumption of hematite pigments in the Atacama Desert, northern Chile23 cited
  • 2014The Sibyls from the church of San Pedro Telmo: a micro‐Raman spectroscopic investigation22 cited
  • 2002Green, Yellow, and Red Pigments in South American Painting, 1610–178021 cited
  • 2016

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Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)
15 cited
  • 2020In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia13 cited
  • 2023Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting11 cited
  • 2012Variaciones celestes para pintar el manto de la Virgen11 cited
  • 2014Mary’s Green Brilliance: The Case of the Virgin of Copacabana3 cited
  • 2019The Half-Life of Blue1 cited