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The use of powdered bismuth in Late Gothic painting and sculpture polychromy
7 references·0 citing·32 second hop
The use of powdered bismuth in Late Gothic painting and sculpture polychromy (2015)The use of powdered bismuth in Late Gothi…X-ray fluorescence analysis of cultural artefacts — Applications to the Czech heritage (2013)X-ray fluorescence analysis o…Spectroscopic Investigations of Bourdichon Miniatures: Masterpieces of Light and Color (2009)Spectroscopic Investigations …Recognition of pigment layers in illuminated manuscripts by means of Kα/Kβ and Lα/Lβ ratios of characteristic X-rays (2009)Recognition of pigment layers…Invited Article: High resolution digital camera for infrared reflectography (2009)Invited Article: High resolut…Investigation of the painting materials and techniques of the late‐15th century manuscript illuminator Jean Bourdichon (2009)Investigation of the painting…A note on the characterization of bismuth black by Raman microspectroscopy (2009)A note on the characterizatio…Painted Wood: History and Conservation (2000)Painted Wood: History and Con…De re metallica (1950)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Mapping with Macro X-ray Fluorescence Scanning of Raffaello’s Portrait of Leo X (2022)Infrared Reflectography: a Method for the Examination of Paintings (1968)Secret Knowledge : Rediscovering the Lost Techniques of the Old Masters (1969)Scientific Examination of Art: Modern Techniques in Conservation and Analysis (2005)Radiation in Art and Archeometry (2000)X-ray Fluorescence Applications for the Study and Conservation of Cultural Heritage (2000)Application of X-ray fluorescence in investigations of Bohemian historical manuscripts (2009)The materials and techniques of medieval painting (1956)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Pigment Compendium: A Dictionary of Historical Pigments (2007)Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Paintings? a challenge for XRF and PIXE analysis (2000)X-ray fluorescence spectrometry in art and archaeology (2000)X-ray fluorescence analysis of archaeological finds and art objects: Recognizing gold and gilding (2012)Investigation of the panel painting of St Anne with the Virgin Mary and the Child Jesus using analytical and imaging methods (2014)Combined Scanned Macro X-Ray Fluorescence and Reflectance Spectroscopy Mapping on Corroded Ancient Bronzes (2024)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)The examination of works of art using in situ XRF line and area scans (2010)Rethinking the History of Artists' Pigments Through Chemical Analysis (2012)Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri (2021)The Zuni Indians Their Mythology Esoteric Fraternities and Ceremonies (1970)The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)The Establishment and Defeat of Hierarchy: Inalienable Possessions and the History of Collective Prestige Structures in the Pueblo Southwest (2004)Animal glues: a review of their key properties relevant to conservation (2007)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)
this work references cited by second hop

References

  • 2009A note on the characterization of bismuth black by Raman microspectroscopy158 cited
  • 2000Painted Wood: History and Conservation115 cited
  • 2009Investigation of the painting materials and techniques of the late‐15th century manuscript illuminator Jean Bourdichon55 cited
  • 2009Recognition of pigment layers in illuminated manuscripts by means of Kα/Kβ and Lα/Lβ ratios of characteristic X-rays26 cited
  • 2009Invited Article: High resolution digital camera for infrared reflectography25 cited
  • 2009Spectroscopic Investigations of Bourdichon Miniatures: Masterpieces of Light and Color16 cited
  • 2013X-ray fluorescence analysis of cultural artefacts — Applications to the Czech heritage12 cited

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