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Musical Innovation in the Blues of Blind Lemon Jefferson
11 references·0 citing·26 second hop
Musical Innovation in the Blues of Blind Lemon Jefferson (2000)Musical Innovation in the Blues of Blind …Africa and the Blues (2008)Africa and the Blues"They Cert'ly Sound Good to Me": Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues (1996)"They Cert'ly Sound Good to M…The swing era: the development of jazz, 1930-1945 (1989)The swing era: the developmen…Looking Up at Down: The Emergence of Blues Culture (1989)Looking Up at Down: The Emerg…The Jazz Book: From Ragtime to Fusion and Beyond (1983)The Jazz Book: From Ragtime t…Big Road Blues: Tradition and Creativity in the Folk Blues (1983)Big Road Blues: Tradition and…The Making of Jazz: A Comprehensive History (1981)The Making of Jazz: A Compreh…Early Downhome Blues. A Musical and Cultural Analysis (1978)Early Downhome Blues. A Music…Recording the Blues (1973)Recording the BluesJazz Style in Kansas City and the Southwest (1972)Jazz Style in Kansas City and…Combo Usa: Eight Lives In Jazz (1971)Combo Usa: Eight Lives In JazzKerouac's The Subterraneans: A Study of "Romantic Primitivism" (1994)Sensemaking and sensegiving stories of jazz leadership (2012)Gunther Schuller and the Challenge of Sonny Rollins: (2014)Opportunities for ethnography in the sociology of music (2004)Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording (2008)Working musicians: exploring the rhetorical ties between musical labour and leisure (2008)The stagecraft and performance of Roman comedy (2007)Jazz and American identity: Case study of a college course. (2008)Flow (2019)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value (2008)Modernism and Popular Music (2011)Count Basie and the piano that swings the band (1985)Revisiting Fletcher Henderson's "Copenhagen" (1995)The moan within the tone: African retentions in rhythm and blues saxophone style in Afro-American popular music (1995)Music and Language (1994)Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–1929 (2008)Cultural evolution of music (2019)Ngaraya: Women and musical mastery in Mali (2007)The structure of cross-cultural musical diversity (2011)Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology (2012)Ashley Street Blues: Racial Uplift and the Commodification of Vernacular Performance in Lavilla, Florida, 1896-1916 (2006)Black Hillbillies (2013)Plantation Song: Delius, Barbershop, and the Blues (2013)‘Funky Drummer’: New Orleans, James Brown and the rhythmic transformation of American popular music (2000)Come Downtown & Play (2007)
this work references cited by second hop

References

  • 1989The swing era: the development of jazz, 1930-1945114 cited
  • 1978Early Downhome Blues. A Musical and Cultural Analysis84 cited
  • 2008Africa and the Blues65 cited
  • 1983The Jazz Book: From Ragtime to Fusion and Beyond60 cited
  • 1983Big Road Blues: Tradition and Creativity in the Folk Blues59 cited
  • 1989Looking Up at Down: The Emergence of Blues Culture59 cited
  • 1981The Making of Jazz: A Comprehensive History54 cited
  • 1996"They Cert'ly Sound Good to Me": Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues51 cited
  • 1972Jazz Style in Kansas City and the Southwest49 cited
  • 1971Combo Usa: Eight Lives In Jazz31 cited
  • 1973Recording the Blues17 cited

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