SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Metal Faces, Rap Masks: Identity and Resistance in Hip Hop's Persona Artist
16 references·16 citing·26 second hopsampled
Metal Faces, Rap Masks: Identity and Resistance in Hip Hop's Persona Artist (2005)Metal Faces, Rap Masks: Identity and Resi…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (2002)The 'Hood Comes First: Race, …The 'Hood Comes First (2002)The 'Hood Comes FirstPerforming Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice (2001)Performing Identity/Performin…Rap music and the poetics of identity (2000)Rap music and the poetics of …INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…The Black Atlantic: Modernity and Double Consciousness. (1997)The Black Atlantic: Modernity…Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. (1996)Spectacular Vernaculars: Hip-…Performing Rites (1996)Performing RitesSpectacular Vernaculars (1995)Spectacular VernacularsBlack Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Bl…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…Domination and the arts of resistance: hidden transcripts (1991)Domination and the arts of re…The Practice of Everyday Life (1986)The Practice of Everyday LifeThe Souls of Black Folk: Essays and Sketches (1903)The Souls of Black Folk: Essa…From roadman to royalties: Inter-representational value and the hypercapitalist impulses of grime (2021)From roadman to royalties: In…Yeni Bir Ergen Kültürü Olarak Arabesk Rapin Kimlik Dışa Vurumları (2020)Yeni Bir Ergen Kültürü Olarak…Playing the Revolt: The Cultural Valorization of Russian Rap and Covert Change in Russian Society of the 2010s (2020)Playing the Revolt: The Cultu…Liminal spaces: A review of the art in entrepreneurship and the entrepreneurship in art (2020)Liminal spaces: A review of t…Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity (2020)Defining Authenticity in the …‘Every time I dress myself, it go motherfuckin’ viral’: Post-verbal flows and memetic hype in Young Thug's mumble rap (2020)‘Every time I dress myself, i…The Values of Independent Hip-Hop in the Post-Golden Era (2019)The Values of Independent Hip…“Pour It Up, Drink It Up, Live It Up, Give It Up” (2017)“Pour It Up, Drink It Up, Liv…Performing the self : rappers, urban space and identity in Dar es Salaam (2014)Performing the self : rappers…Music, Culture, Politics - Communicating Identity, Authenticity and Quality in the 21st Century (2014)Music, Culture, Politics - Co…From Appropriation to Translation: Localizing Rap Music to Finland (2013)From Appropriation to Transla…Rap Music as Resistive Occupation: Constructions of Black American Identity and Culture for Performers and their Audiences (2011)Rap Music as Resistive Occupa…Bastardised whiteness: ‘zef’-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities (2011)Bastardised whiteness: ‘zef’-…Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market (2009)Popular cultural cringe: lang…I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness (2009)I Got a Natural Skill…: Hip-H…“My White, Blue, and Red Heart”: Constructing a Slovak Identity in Rap Music (2009)“My White, Blue, and Red Hear…Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)The Dynamics of Racial Residential Segregation (2003)“Assume the Position . . . You Fit the Description” (2007)Critical Race Theory, Racial Microaggressions, and Campus Racial Climate for Latina/o Undergraduates (2009)What Is Agency? (1998)Language and Agency (2001)The Moral Significance of Class (2005)Performing tourism, staging tourism (2001)‘Entrepreneuring’ as a conceptual attractor? A review of process theories in 20 years of entrepreneurship studies (2007)Towards a Politics of Mobility (2010)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Misogyny in Rap Music (2009)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)Why Youth Heart Social Network Sites: The Role of Networked Publics in Teenage Social Life (2017)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1991Domination and the arts of resistance: hidden transcripts6,530 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1986The Practice of Everyday Life1,656 cited
  • 1903The Souls of Black Folk: Essays and Sketches1,296 cited
  • 1996Performing Rites1,123 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America736 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 2002The 'Hood Comes First368 cited
  • 2001Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice324 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1996Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism.253 cited
  • 1995Spectacular Vernaculars

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

121 cited

Cited by

  • 2009I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness36 cited
  • 2020Liminal spaces: A review of the art in entrepreneurship and the entrepreneurship in art34 cited
  • 2011Rap Music as Resistive Occupation: Constructions of Black American Identity and Culture for Performers and their Audiences31 cited
  • 2011Bastardised whiteness: ‘zef’-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities26 cited
  • 2017“Pour It Up, Drink It Up, Live It Up, Give It Up”22 cited
  • 2013From Appropriation to Translation: Localizing Rap Music to Finland19 cited
  • 2020‘Every time I dress myself, it go motherfuckin’ viral’: Post-verbal flows and memetic hype in Young Thug's mumble rap18 cited
  • 2019The Values of Independent Hip-Hop in the Post-Golden Era16 cited
  • 2009Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market16 cited
  • 2014Music, Culture, Politics - Communicating Identity, Authenticity and Quality in the 21st Century14 cited
  • 2021From roadman to royalties: Inter-representational value and the hypercapitalist impulses of grime8 cited
  • 2009“My White, Blue, and Red Heart”: Constructing a Slovak Identity in Rap Music8 cited
  • 2020Playing the Revolt: The Cultural Valorization of Russian Rap and Covert Change in Russian Society of the 2010s7 cited
  • 2020Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity7 cited
  • 2020Yeni Bir Ergen Kültürü Olarak Arabesk Rapin Kimlik Dışa Vurumları6 cited
  • 2014Performing the self : rappers, urban space and identity in Dar es Salaam5 cited