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Context and Creativity: William Grant Still in Los Angeles
16 references·0 citing·33 second hop
Context and Creativity: William Grant Still in Los Angeles (2011)Context and Creativity: William Grant Sti…Making Music in Los AngelesTransforming the Popular (2007)Making Music in Los AngelesTr…I Dream a World: The Operas of William Grant Still (2006)I Dream a World: The Operas o…Narcocorridos: An Emerging Micromusic of Nuevo L. A. (2001)Narcocorridos: An Emerging Mi…William Grant Still (2000)William Grant StillCalifornia Soul: Music of African Americans in the West. (1999)California Soul: Music of Afr…2 "Pitchin' up a Boogie" African-American Musicians, Nightlife, and Music Venues in Los Angeles, 1930-1945 (1998)2 "Pitchin' up a Boogie" Afri…William Grant Still: a bio-bibliography (1997)William Grant Still: a bio-bi…The City: Los Angeles and urban theory at the end of the twentieth century (1997)The City: Los Angeles and urb…Ethnic Los Angeles (1997)Ethnic Los Angeles"Harlem Renaissance Man" Revisited: The Politics of Race and Class in William Grant Still's Late Career (1997)"Harlem Renaissance Man" Revi…Gospel Music in the Los Angeles Black Community: A Historical Overview (1989)Gospel Music in the Los Angel…The Music of Black Americans (1983)The Music of Black AmericansAnthropology of the City: An Introduction to Urban Anthropology (1977)Anthropology of the City: An …The Music of Black Americans: A History (1974)The Music of Black Americans:…William Grant Still and the Fusion of Cultures in American Music (1973)William Grant Still and the F…The Enjoyment of Music : An Introduction to Perceptive Listening (1955)The Enjoyment of Music : An I…Disjuncture and Difference in the Global Cultural Economy (1990)Subculture: The Meaning of Style (1995)Ethnomusicologie des “jeunes musiques” (2004)City of Quartz: Excavating the Future in Los Angeles (2008)Narcocorridos: Antecedentes de la tradición corridística y del narcotráfico en México (2013)“los Músicos”: Mexican Corridos, the Aural Border, and the Evocative Musical Renderings of Transnational Youth (2019)Cities, regions and the decline of transport costs (2003)Citizenship and the right to the global city: reimagining the capitalist world order (2003)Towards a Comparative Theory of Locality in Migration Studies: Migrant Incorporation and City Scale (2009)Celebration or Pathology? Commodity or Art? The Dilemma of African-American Expressive Culture (2000)Out on the floor: the politics of dancing on the Northern Soul scene (2006)Black Women Working Together: Jazz, Gender, and the Politics of Validation (2014)The Effects of a Narrative Audiotape on Preschoolers' Entertainment Experience and Attention (2005)Words, music, and other measures: Predicting the repertoire popularity of 597 Schubert lieder. (2007)Geographical Study of American Blues Culture (2010)Immigration, Domestic Migration, and Demographic Balkanization in America: New Evidence for the 1990s (1996)The Intersection of Work and Gender (1999)Trust Networks in Transnational Migration (2007)Black Music as an Art Form (1983)Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age (1988)When Malindy Sings: A Meditation on Black Women’s Vocality (2004)The Afro-American Transformation of European Set Dances and Dance Suites (1988)The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century (2000)New Orleans Music as a Circulatory System (2011)Jalons pour l'anthropologie urbaine (1982)Studying Housing Areas in a Developing Nation: Lessons From Oaxaca City, Mexico. (1987)The (Mis)Representation of African American Music: The Role of the Fiddle (2016)Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--1865 (2007)Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography (2020)Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins (2020)African American music to 1900 (1998)Avant-garde and experimental music (1998)Ragtime and early jazz (1998)
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References

  • 1997The City: Los Angeles and urban theory at the end of the twentieth century598 cited
  • 1997Ethnic Los Angeles233 cited
  • 1974The Music of Black Americans: A History207 cited
  • 1983The Music of Black Americans80 cited
  • 1977Anthropology of the City: An Introduction to Urban Anthropology46 cited
  • 2001Narcocorridos: An Emerging Micromusic of Nuevo L. A.43 cited
  • 1955The Enjoyment of Music : An Introduction to Perceptive Listening31 cited
  • 1997William Grant Still: a bio-bibliography28 cited
  • 2000William Grant Still21 cited
  • 1999California Soul: Music of African Americans in the West.21 cited
  • 2007Making Music in Los AngelesTransforming the Popular20 cited
  • 1973William Grant Still and the Fusion of Cultures in American Music16 cited
  • 19982 "Pitchin' up a Boogie" African-American Musicians, Nightlife, and Music Venues in Los Angeles, 1930-194511 cited
  • 1989Gospel Music in the Los Angeles Black Community: A Historical Overview9 cited
  • 1997"Harlem Renaissance Man" Revisited: The Politics of Race and Class in William Grant Still's Late Career7 cited
  • 2006

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I Dream a World: The Operas of William Grant Still
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