William Grant Still

Catherine Parsons Smith

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Musicology and Musical Analysis Music History and Culture Theater, Performance, and Music History

Abstract

This chapter studies the earliest known commentary on Still's work. This commentary, which was written by Forsythe, is also the only extended commentary that explains Still's music from a New Negro, Africanist position. It shows that Forsythe's judgments on Still and his work were based on music that is now considered as Still's “early” work.

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2020Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography 2011Context and Creativity: William Grant Still in Los Angeles 2007Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--1865 2020Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins 2001A Pan-African Composer? Coleridge-Taylor and Africa 2007Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price 2005Current Research Twelve Years after the William Grant Still Centennial

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