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William Grant Still
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William Grant Still (2000)William Grant StillFinding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins (2020)Finding Florence Mills: The V…Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography (2020)Colloquy: Shadow Culture Narr…Context and Creativity: William Grant Still in Los Angeles (2011)Context and Creativity: Willi…Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price (2007)Signifyin(g): A semiotic anal…Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--1865 (2007)Louis Moreau Gottschalk, John…Current Research Twelve Years after the William Grant Still Centennial (2005)Current Research Twelve Years…A Pan-African Composer? Coleridge-Taylor and Africa (2001)A Pan-African Composer? Coler…The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 (1974)A People's History of the United States: 1492-Present (1980)“Our War-Songs” (1864): Popular Song and Music Criticism during the American Civil War (2017)The Wages of Whiteness (2017)Emotion and Meaning in Music (1961)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The New Grove dictionary of music and musicians (2001)Darkwater: Voices from Within the Veil (1920)Roots of language (1981)Staying Power. The History of Black People in Britain (1985)The Music of Black Americans: A History (1974)Ethnic Los Angeles (1997)The City: Los Angeles and urban theory at the end of the twentieth century (1997)Biographical Dictionary of Afro-American and African Musicians (1983)William Grant Still's Choral Ballad and They Lynched Him on a Tree (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Feminist Theory: From Margin to Center (1984)Feminist Theory: From Margin to Center (1985)The Cult of True Womanhood: 1820-1860 (1966)Modernism and the Harlem Renaissance (1987)
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Cited by

  • 2020Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography5 cited
  • 2011Context and Creativity: William Grant Still in Los Angeles5 cited
  • 2007Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--18655 cited
  • 2020Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins4 cited
  • 2001A Pan-African Composer? Coleridge-Taylor and Africa4 cited
  • 2007Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price4 cited
  • 2005Current Research Twelve Years after the William Grant Still Centennial4 cited

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