SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Wellsprings of Music
0 references·16 citing·49 second hop
The Wellsprings of Music (1962)The Wellsprings of MusicFrom Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to “Cumulative Cultural Evolution?” (2022)From Beethoven to Beyoncé: Do…Language, the Singer and the Song (2019)Language, the Singer and the …The origins of music (2018)The origins of musicEvolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century (2016)Evolution of Tonal Organizati…Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric (2015)Evolution of tonal organizati…The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age (2014)The Spectral Piano: From Lisz…Evolutionary Categories and Musical Style from Adler to America (2014)Evolutionary Categories and M…On world music as a concept in the history of music scholarship (2013)On world music as a concept i…A History of Singing (2012)A History of SingingThe inclusion of music/the music of inclusion (2009)The inclusion of music/the mu…Sacred sound: experiencing music in world religions (2007)Sacred sound: experiencing mu…Roots of the Classical (2004)Roots of the ClassicalThe Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s (2001)The Classification of Musical…The Aesthetics of Duke Ellington's Suites: The Case of "Togo Brava" (2001)The Aesthetics of Duke Elling…Melody: A Popular Perspective (1987)Melody: A Popular PerspectiveSome Aspects of the History of World Music in the Twentieth Century: Questions, Problems, and Concepts (1978)Some Aspects of the History o…Image-Music-Text (1977)The Order of Things (2005)“We ARE our instrument!”: Forming a singer identity (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Popular Music, Stars and Stardom (2018)Reimagine to Revitalise (2021)The descent of man, and selection in relation to sex / (1871)The descent of man and selection in relation to sex (1907)Claiming disability: knowledge and identity (1998)Introduction to the Sociology of Music. (1977)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)The Italian Canzone and the Sanremo Festival: change and continuity in Italian mainstream pop of the 1960s (2007)On the interaction of alliteration with rhythm and metre in popular music (2011)The Science of Singing Along: A Quantitative Field Study on Sing-along Behavior in the North of England (2012)Theory of culture change: The methodology of multilinear evolution (1978)Major trends of change in Jewish Oriental ethnic music in Israel (1985)Prelude to a Comparative Investigation of Protestant Hymnody in Polynesia (1993)BALINESE MUSIC, TOURISM AND GLOBALISATION: INVENTING TRADITIONS WITHIN AND ACROSS CULTURES (2002)The History of Musical Instruments (1942)The Growth of Biological Thought: Diversity, Evolution, and Inheritance (1982)On concepts and classifications of musical instruments (1991)The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France (2004)Cultural evolution of music (2019)Kick It (2020)The descent of man, and selection in relation to sex (1871)We have never been modern (1994)Cultural Evolution and Music (2023)Music, Encounter, Togetherness (2024)Oxford English dictionary (1988)The Common Stock of Schemes in Early Blues and Country Music (2013)Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works (2014)Stop the Press? The Changing Media of Music Criticism (2019)Grooming, Gossip and the Evolution of Language (1996)The social brain hypothesis (1998)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Free rider recognition—A missing link in the Baldwinian model of music evolution (2022)Sweet Participation: The Evolution of Music as an Interactive Technology (2022)Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality (2024)The Principles of Art (1939)The Presence of the Word (1969)Introductionto Buddhism: Teachings, History and Practices (1992)Sound, Music, and the Study of Religion (2012)Sound, Music and Religion: A Preliminary Cartography of a Transdisciplinary Research Field (2015)“He Who Sings, Prays Twice”? Singing in Roman Catholic Mass Leads to Spiritual and Social Experiences That Are Predicted by Religious and Musical Attitudes (2020)The Senses Considered as Perceptual Systems (1969)The Principles of Psychology. (1983)Nietzsche and Philosophy (1984)Performing Knowledge (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2001The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s82 cited
  • 2009The inclusion of music/the music of inclusion63 cited
  • 1987Melody: A Popular Perspective60 cited
  • 2018The origins of music56 cited
  • 2004Roots of the Classical47 cited
  • 2014The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age46 cited
  • 2014Evolutionary Categories and Musical Style from Adler to America44 cited
  • 2007Sacred sound: experiencing music in world religions42 cited
  • 1978Some Aspects of the History of World Music in the Twentieth Century: Questions, Problems, and Concepts36 cited
  • 2012A History of Singing33 cited
  • 2001The Aesthetics of Duke Ellington's Suites: The Case of "Togo Brava"29 cited
  • 2015Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric28 cited
  • 2019Language, the Singer and the Song26 cited
  • 2013On world music as a concept in the history of music scholarship22 cited
  • 2016Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

21 cited
  • 2022From Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to “Cumulative Cultural Evolution?”20 cited