Intervallic Relations in Atonal Music

Richard Teitelbaum

29 citations0/0 files storedJournal of Music Theory

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Musicology and Musical Analysis Music Technology and Sound Studies Literature, Musicology, and Cultural Analysis

Abstract

By atonal music we refer specifically to those works composed by Arnold Schoenberg, Anton Webern and Alban Berg betweenthe years 1908 and 1923. Though fairly few innumber, these works were radical in their implications and far-reaching intheir consequences. In abandoning the practice of traditional tonal composition, Schoenberg renounced the most highly developed system in the history of western music. It was not

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References

1960TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS 1959Re: Intervallic Relations between Two Collections of Notes 1961Set Structure as a Compositional Determinant 1961The Source Set and Its Aggregate Formations 1964A Theory of Set-Complexes for Music

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1965Some Combinational Properties of Pitch Structures 1998The Interval Angle: A Similarity Measure for Pitch-Class Sets 2009Zygonic Theory: Introduction, Scope, and Prospects 1967Some Ordering Relationships in the Twelve-Tone System 2005Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling 2015Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner

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