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Intervallic Relations in Atonal Music
5 references·6 citing·25 second hop
Intervallic Relations in Atonal Music (1965)Intervallic Relations in Atonal MusicA Theory of Set-Complexes for Music (1964)A Theory of Set-Complexes for…The Source Set and Its Aggregate Formations (1961)The Source Set and Its Aggreg…Set Structure as a Compositional Determinant (1961)Set Structure as a Compositio…TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS (1960)TWELVE-TONE INVARIANTS AS COM…Re: Intervallic Relations between Two Collections of Notes (1959)Re: Intervallic Relations bet…Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner (2015)Review of “Tone Rows and Trop…Zygonic Theory: Introduction, Scope, and Prospects (2009)Zygonic Theory: Introduction,…Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling (2005)Mapping the Geometries of Pit…The Interval Angle: A Similarity Measure for Pitch-Class Sets (1998)The Interval Angle: A Similar…Some Ordering Relationships in the Twelve-Tone System (1967)Some Ordering Relationships i…Some Combinational Properties of Pitch Structures (1965)Some Combinational Properties…Serial Composition and Atonality (1962)Some Combinational Resources of Equal-Tempered Systems (1967)On Allen Forte's Theory of Chords (1974)The Structure of All-Interval Series (1974)A Response to a Response: On PCSet Relatedness (1979)A Similarity Index for Pitch-Class Sets (1979)Similarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation (1990)A Geometric Approach to PCSet Similarity (1999)Pitch Class Set Categories As Analysis Tools For Degrees Of Tonality. (2010)Pseudo-distances between chords of different cardinality on generalized voice-leading spaces (2019)Similarity, separability, and the triangle inequality. (1982)Nearest neighbor analysis of psychological spaces. (1986)Emotion and Meaning in Music (1957)Thinking in jazz: the infinite art of improvisation (1995)Emotion Inferences from Vocal Expression Correlate Across Languages and Cultures (2001)Music theory and mathematics (2002)A Revisionist History of Twelve-Tone Serialism in American Music (2008)Continuous Harmonic Spaces (2007)David Lewin and maximally even sets (2007)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Music Theory and 'Good Comparison': A Viennese Perspective (1989)Banjo Transformations and Bluegrass Rhythm (2009)Musical Syntax (II) (1971)Combinatoriality without the Aggregate (1982)Defining Modular Transformations (1999)
this work references cited by second hop

References

  • 1960TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS115 cited
  • 1959Re: Intervallic Relations between Two Collections of Notes88 cited
  • 1961Set Structure as a Compositional Determinant87 cited
  • 1961The Source Set and Its Aggregate Formations74 cited
  • 1964A Theory of Set-Complexes for Music61 cited

Cited by

  • 1965Some Combinational Properties of Pitch Structures25 cited
  • 1998The Interval Angle: A Similarity Measure for Pitch-Class Sets23 cited
  • 2009Zygonic Theory: Introduction, Scope, and Prospects9 cited
  • 1967Some Ordering Relationships in the Twelve-Tone System5 cited
  • 2005Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling5 cited
  • 2015Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner4 cited

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