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While many scholars study whiteness as ideology, where the body is completely denied, or as materiality, where the body stands as the sole communicative marker of race, I examine whiteness in this essay through performativity‐a theoretical approach that accounts for both the material and ideological by situating the material body as a product of reiterative acts. This critical ethnographic study explores how students in an entry level communication classroom performatively constitute whiteness as a privileged cultural category. Through analysis of public performances, I consider the ways whiteness gets reified and normalized, all while remaining under‐examined as a site of investigation.
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