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Rereading Fandom: MySpace Character Personas and Narrative Identification
10 references·12 citing·31 second hop
Rereading Fandom: MySpace Character Personas and Narrative Identification (2008)Rereading Fandom: MySpace Character Perso…The Presentation of Self in Everyday Life (2023)The Presentation of Self in E…A Rhetoric of Motives (2017)A Rhetoric of MotivesFans: The Mirror of Consumption (2005)Fans: The Mirror of Consumpti…Storytelling in Film and Television (2003)Storytelling in Film and Tele…The war of desire and technology at the close of the mechanical age (1997)The war of desire and technol…NARRATING THE SELF (1996)NARRATING THE SELFEnterprising women: television fandom and the creation of popular myth (1992)Enterprising women: televisio…Rhetoric of Motives (1969)Rhetoric of MotivesThe Presentation of Self in Everyday Life. (1956)The Presentation of Self in E…Mass Communication and Para-Social Interaction (1956)Mass Communication and Para-S…Fandom and identity construction: an analysis of Thai fans’ engagement with Twitter (2020)Fandom and identity construct…Inmersión, redes sociales y narrativa transmedia: la modalidad de recepción inclusiva (2018)Inmersión, redes sociales y n…Imaginary Engagement, Real-World Effects: Fiction, Emotion, and Social Cognition (2017)Imaginary Engagement, Real-Wo…Bury Your Gays and Social Media Fan Response: Television, LGBTQ Representation, and Communitarian Ethics (2017)Bury Your Gays and Social Med…Defining authorship in user-generated content: Copyright struggles in The Game of Thrones (2015)Defining authorship in user-g…Makmende Amerudi: Kenya's Collective Reimagining as a Meme of Aspiration (2013)Makmende Amerudi: Kenya's Col…From Loving the Hero to Despising the Villain: Sports Fans, Facebook, and Social Identity Threats (2013)From Loving the Hero to Despi…A theory of the transmedia franchise character (2012)A theory of the transmedia fr…DEGREES OF FANDOM: AUTHENTICITY & HIERARCHY IN THE AGE OF MEDIA CONVERGENCE (2011)DEGREES OF FANDOM: AUTHENTICI…Still Flying: The Communicative Constitution of Browncoat Fandom as Culture (2010)Still Flying: The Communicati…Videoclipe em tempos de reconfigurações (2009)Videoclipe em tempos de recon…The Teenage Expertise Network: The Online Availability of Expertise (2009)The Teenage Expertise Network…PSYCHOLOGICAL CONDITIONS OF PERSONAL ENGAGEMENT AND DISENGAGEMENT AT WORK. (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)Users of the world, unite! The challenges and opportunities of Social Media (2009)Being and Nothingness (2022)The Structure of Scientific Revolutions (1963)Mind in Society: The Development of Higher Psychological Processes (1978)An Organizing Framework for Collective Identity: Articulation and Significance of Multidimensionality. (2004)Discourse (2005)Critical Discourse Analysis (2015)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Commensuration as a Social Process (1998)Rhetoric of Economics (1998)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)Toward a Theory of Entertainment Persuasion: Explaining the Persuasive Effects of Entertainment-Education Messages (2008)Instagram and YouTube bloggers promote it, why should I buy? How credibility and parasocial interaction influence purchase intentions (2019)Managing Impressions Online: Self-Presentation Processes in the Online Dating Environment (2006)Self-Presentation in Online Personals (2006)Identity construction on Facebook: Digital empowerment in anchored relationships (2008)From Beats to Arcs: Toward a Poetics of Television Narrative (2006)Narration in Various Media (2009)Language and Television Series (2018)Social Identity Theory and the Organization (1989)Emotional Intelligence (1990)Articulating communities: Sociocultural perspectives on science education (2001)Institutional Logics and Institutional Pluralism: The Contestation of Care and Science Logics in Medical Education, 1967–2005 (2010)Anthropology and Mass Media (1993)Utopian Enterprise: Articulating the Meanings ofStar Trek's Culture of Consumption : Figure 1 (2001)Click to Connect: Netnography and Tribal Advertising (2006)Celebrity fan involvement and destination perceptions (2008)Show sold separately: promos, spoilers, and other media paratexts (2010)Social media and sports: driving fan engagement with football clubs on Facebook (2017)
this work references cited by second hop

References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 1956Mass Communication and Para-Social Interaction4,377 cited
  • 2017A Rhetoric of Motives2,061 cited
  • 1969Rhetoric of Motives1,723 cited
  • 1996NARRATING THE SELF1,076 cited
  • 1992Enterprising women: television fandom and the creation of popular myth659 cited
  • 2005Fans: The Mirror of Consumption592 cited
  • 2003Storytelling in Film and Television237 cited
  • 1997The war of desire and technology at the close of the mechanical age199 cited

Cited by

  • 2013From Loving the Hero to Despising the Villain: Sports Fans, Facebook, and Social Identity Threats98 cited
  • 2017Bury Your Gays and Social Media Fan Response: Television, LGBTQ Representation, and Communitarian Ethics63 cited
  • 2020Fandom and identity construction: an analysis of Thai fans’ engagement with Twitter38 cited
  • 2017Imaginary Engagement, Real-World Effects: Fiction, Emotion, and Social Cognition38 cited
  • 2013Makmende Amerudi: Kenya's Collective Reimagining as a Meme of Aspiration28 cited

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  • 2015Defining authorship in user-generated content: Copyright struggles in The Game of Thrones18 cited
  • 2018Inmersión, redes sociales y narrativa transmedia: la modalidad de recepción inclusiva13 cited
  • 2011DEGREES OF FANDOM: AUTHENTICITY & HIERARCHY IN THE AGE OF MEDIA CONVERGENCE9 cited
  • 2009The Teenage Expertise Network: The Online Availability of Expertise7 cited
  • 2010Still Flying: The Communicative Constitution of Browncoat Fandom as Culture4 cited
  • 2009Videoclipe em tempos de reconfigurações4 cited
  • 2012A theory of the transmedia franchise character3 cited