SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Representations of motivic spaces of a score in OpenMusic
8 references·0 citing·26 second hop
Representations of motivic spaces of a score in OpenMusic (2008)Representations of motivic spaces of a sc…The Topos of Music (2018)The Topos of MusicThe Topos of Music (2002)The Topos of MusicMelodic Clustering: Motivic Analysis of Schumann’s Träumerei (2000)Melodic Clustering: Motivic A…From Contour Similarity to Motivic Topologies (2000)From Contour Similarity to Mo…Fuzzy Extensions to the Theory of Contour (1997)Fuzzy Extensions to the Theor…New Directions in the Theory and Analysis of Musical Contour (1993)New Directions in the Theory …Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Diversity and commonality in …The Thematic Process in Music (1951)The Thematic Process in MusicFondements d'une semiologie de la musique (1976)Information, Uncertainty and the Utility of Categories (1985)Melodic Clustering Within Topological Spaces of Schumann's Trôumerei (2006)The Structure of Atonal Music (1973)The Structure of Atonal Music (1974)AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE (2005)Motivic analysis according to Rudolph Réti: formalization by a topological model (2008)Can computational music analysis be both musical and computational? (2010)The Structure of Atonal Music (1974)Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Fuzzy sets (1996)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)David Lewin and maximally even sets (2007)Logic in Reality (2008)Generalizing Musical Intervals (2009)EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints (1996)Music Performance Research at the Millennium (2003)Sensorimotor synchronization: A review of the tapping literature (2005)The Living Work: Organicism and Musical Analysis (1980)Epistemologies of music theory (2002)Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas (2012)Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)Statistics in Musicology (2003)P aradoxes of P itch S pace (2008)Modes, the Height-Width Duality, and Handschin’s Tone Character (2011)
this work references cited by second hop

References

  • 1992Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’356 cited
  • 1951The Thematic Process in Music293 cited
  • 2002The Topos of Music153 cited
  • 1993New Directions in the Theory and Analysis of Musical Contour106 cited
  • 2018The Topos of Music106 cited
  • 1997Fuzzy Extensions to the Theory of Contour68 cited
  • 2000From Contour Similarity to Motivic Topologies24 cited
  • 2000Melodic Clustering: Motivic Analysis of Schumann’s Träumerei9 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work