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L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938)
10 references·0 citing·33 second hop
L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938) (2011)L’histoire photographique de l’Amérique s…La naissance de l'idée de photographie (2012)La naissance de l'idée de pho…Photography and the Discipline of American Studies (2007)Photography and the Disciplin…American Histories of Photography (2007)American Histories of Photogr…What Do Pictures Want? (2005)What Do Pictures Want?Les sciences sociales face à l’événement (2002)Les sciences sociales face à …Le culte moderne des monuments (2001)Le culte moderne des monuments“Picture Maker of the Old West”: W. H. Jackson and the Birth of Photographic Archives in the United States (1994)“Picture Maker of the Old Wes…The American Daguerreotype (1982)The American Daguerreotype"Doing the Rest": The Uses of Photographs in American Studies (1977)"Doing the Rest": The Uses of…History of Photography (1946)History of PhotographyHumanitarian exception as the rule: The political theology of the 1999 Tragedia in Venezuela (2005)Crises, décisions et temporalités : autour des bifurcations biographiques (2006)L'imprévisibilité dans les parcours sociaux (2006)Comment on écrit l’histoire (2015)The Real Thing: Imitation and Authenticity in American Culture, 1880-1940. (1990)Art Subjects (1999)The black hearts of men: radical abolitionists and the transformation of race (2002)The Black Hearts of Men: Radical Abolitionists and the Transformation of Race (2003)Photography on the Color Line (2004)Photography's Discursive Spaces: Landscape/View (1982)The Body and the Archive (1986)Revisiting the enigmas of Timothy O'Sullivan: Notes on the William Ashburner collection of king survey photographs at the Bancroft Library (2007)Photographie et écologie aux États-Unis: l’image à contre-emploi (2017)The Body and the Archive * (2017)Prints and Visual Communication (1954)Art Versus Science as Ways of Generating Knowledge About Materialism (1966)The Hidden Dimension (1973)Photographs as Materials for African History: Some Methodological Considerations (1986)Visual Anthropology: Photography as a Research Method (1987)Photo albums: Images of time and reflections of self (1989)« Colour is important, we have to start exporting colour » (2021)La Sociedad Artístico-Fotográfica “Los Treinta”. Un paradigma del amateurismo (2022)L’album photographique : une famille affective ? (2023)Beau comme un haut fourneau (2004)Introduction: Heritage Regimes and the State (2017)When the arts inspire businesses: Museums as a heritage redefinition tool of brands (2017)Investigation of a Surface Tarnish Found on 19th-Century Daguerreotypes (1996)The Image of Edgar Allan Poe: A Daguerreotype Linked to the Academy of Natural Sciences of Philadelphia (1996)Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. (2010)Religious Reason and Secular Affect: An Incommensurable Divide? (2009)Theorizing the image for Security Studies (2011)How images make world politics: International icons and the case of Abu Ghraib (2014)L’enfant pauvre et la naissance de la photographie sociale aux États-Unis au XIXe siècle (2010)
this work references cited by second hop

References

  • 2005What Do Pictures Want?1,505 cited
  • 2002Les sciences sociales face à l’événement436 cited
  • 2001Le culte moderne des monuments160 cited
  • 2012La naissance de l'idée de photographie93 cited
  • 1982The American Daguerreotype30 cited
  • 1977"Doing the Rest": The Uses of Photographs in American Studies25 cited
  • 2007American Histories of Photography10 cited
  • 1946History of Photography8 cited
  • 2007Photography and the Discipline of American Studies4 cited
  • 1994“Picture Maker of the Old West”: W. H. Jackson and the Birth of Photographic Archives in the United States4 cited

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