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Scratching Out Authorship: Representations of the Electronic Music DJ at the Turn of the 21st Century
12 references·8 citing·35 second hop
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this work references cited by second hop

References

  • 1996Club cultures: music, media and subcultural capital1,948 cited
  • 1983The field of cultural production, or: The economic world reversed1,429 cited
  • 2004Free culture: how big media uses technology and the law to lock down culture and control creativity1,427 cited
  • 1981The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination1,345 cited
  • 1998The Cultural Life of Intellectual Properties775 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited
  • 1980The production of belief: contribution to an economy of symbolic goods626 cited
  • 1991Singular Texts/Plural Authors: Perspectives on Collaborative Writing519 cited
  • 1998The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law360 cited
  • 1999Last Night a DJ Saved My Life: The History of the Disc Jockey342 cited
  • 1988Sample and hold: pop music in the digital age of reproduction152 cited
  • 2003Mixed messages: Resistance and reappropriation in rave culture26 cited

Cited by

  • 2007A ‘Rave’ Review: Conceptual Interests and Analytical Shifts in Research on Rave Culture52 cited
  • 2008The Apolitical Irony of Generation Mash‐Up: A Cultural Case Study in Popular Music50 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2012What Does it Matter Who is Speaking? Authorship, Authority, and the Mashup18 cited
  • 2007Mediated Music Makers: Constructing Author Images in Popular Music12 cited
  • 2017Analysing the media discourses surrounding DJs as authentic performers and artists within electronic dance music culture magazines9 cited
  • 2007Mashups, Sampling, and Authorship: A Mashupsampliography7 cited
  • 2024Status Markers in Popular Music Across Six Countries: A Content Analysis of Gender, Race/Ethnicity, Genre, and Capital in Music Lyrics4 cited
  • 2011"WHERE THE MIX IS PERFECT": VOICES FROM THE POST-MOTOWN SOUNDSCAPE2 cited